On their Tumblr, Little Fiction is previewing some of the books being released in 2014-2015 by authors they’ve recently worked with. Meanwhile, Chad Post put together “Le Translation Preview” to promote some international work being published this July. Think of both lists as complementary compendiums to our Great Second-Half 2014 Book Preview.
Two of my favorite writing contests are wrapping up this October. You have until the first of the month to enter the Missouri Review’s Editors’ Prize Contest. $5,000 will be awarded to the best fiction, essay, and poetry. Meanwhile, you have until October 31st to enter DIAGRAM’s Essay Contest, which is open to all types of essays such as those “in an expansive sense, meaning essay as experiment, essay as heterogenous and sometimes strange or unruly beast.” That contest’s prize is $1,000 plus publication.
Calling a book “the spiritual prequel to The Road” is a great way to signal its command of dystopian tropes. It’s what Gabe Durham wrote about Maxwell Neely-Cohen’s recent YA novel Echo of the Boom. At The Rumpus, Durham interviews Neely-Cohen, who describes how he tried to give a metafictional bent to the novel. Related: we asked high school students to pick their favorite YA books of 2013.
“Does handwriting matter?” That’s the question some researchers are working to answer and that Maria Konnikova tackles in a piece for The New York Times. The article ends by suggesting that “with handwriting, the very act of putting it down forces you to focus on what’s important… maybe it helps you think better,” which is doubtlessly encouraging to every writer who works on their drafts in longhand.