The recent opening of the Jeff Koons retrospective at the Whitney Museum of American Art has occasioned a number of rave reviews. They’re so good, in fact, that they’ve inspired Los Angeles Times writer Carolina A. Miranda to comb the write-ups for “evocative turn[s] of phrase, political metaphor[s], and references to lady parts” in order to assemble a standalone poem. Or, rather, it was standalone until artist William Powhida made a drawing out of it. (Full size drawing here.)