Recommended Reading: Two poems by Slovene poet Tomaž Šalamun.
The oil boom occurring in North Dakota, Montana, and Canada’s Bakken Formation is so frantic right now that ND’s unemployment rate is only 3.4%, the lowest in the nation. “Hiring is so frantic,” writes Business Week‘s Bryan Gruley, “the McDonald’s in Dickinson [North Dakota] is offering $300 signing bonuses.”
Though Kim Gordon is mostly known for her time in Sonic Youth, she’s also an artist and writer, one who’s racked up art projects and publications over the course of the past forty years. At Full-Stop, Hestia Peppe reviews Is It My Body?, a new collection of Gordon’s essays and other written work. It might also be a good time to read our own Anne K. Yoder on punk and revolutionary nonfiction.
“Setting is often the last piece of the jigsaw. I start somewhere else—with a kind of a premise, a set of relationships, a theme—and I often have a long period when I can’t figure out where the story should be put down. I find myself going location hunting. Not just for a time and place, but also for a genre, if you like.” Kazuo Ishiguro on the Hazlitt podcast. For more things Ishiguro, here is our own Lydia Kiesling’s review of Ishiguro’s latest novel, The Buried Giant.
Lord of the Flies is perhaps the best example of a book that forces readers to confront how wild we are. But there’s a whole corpus of books that accomplish the same thing. In The New Statesman, Erica Wagner writes about Melissa Harrison’s At Hawthorn Time and Sarah Hall’s The Wolf Border.