Book Cover Roundup, Item #1: Each year The Millions publishes a high stakes face-off between the UK and US covers of books featured in The Morning News’ Tournament of Books (2014, 2013, 2012). Now, for Sarah Hemfrey’s research on book covers in the publishing industry, it’s your turn to be the judge. Item #2: if Harry Potter is more your style, that whole series is getting new cover designs, too.
Nikil Saval isn’t the only n +1 editor with a new book out. Through his magazine’s publishing arm, cofounder Benjamin Kunkel is releasing a play, Buzz, which comes on the heels of last month’s Utopia or Bust. At Full Stop, William Harris reviews Buzz, calling it “the type of play that propels itself by introducing the indefinite edges of a mystery.” It may also be a good time to read Kunkel’s Year in Reading entry.
The Great Gatsby, that quintessential American classic, was first published 90 years ago today. Over at Scribner Magazine authors ranging from Anthony Doerr to Christopher Beha remember their first encounters with the novel, and Time has republished its original review of the novel.
You wouldn’t think Grendel’s mother would win any awards for being a great mom, but Oyster is giving accolades to literature’s most horrifying mothers in honor of the holiday. The list also includes Madame Bovary’s Emma Bovary as the most selfish mother and Pride and Prejudice’s Mrs. Bennet as most nettlesome mother.
As Alden Jones puts it, a “sex-death-art trifecta” is the core of The Small Backs of Children, the new book by Lidia Yuknavitch. At The Rumpus, he talks with the author about the novel, which centers on a war photographer who takes an iconic photo in Eastern Europe. You could also read the author’s Millions essay from last week.
There’s been a lot of discussion about self-publishing books, but what about crowdfunding? Online publisher Unbound is proving it could work and has already raised over £1 million and funded 54 books. The model itself couldn’t really be any simpler – “the author pitches an idea and if enough readers support it, the book goes ahead. Once it has been printed, the book’s net profits are then split 50/50.”
“Steinem welcomed them all—the rich, the celebrities, the climbers for the cause. She was a radical but, consciously, never an outsider. She enjoyed the world where she plied her trade as an entrepreneur of social change, and, with her mouth spray at hand, she had long since mastered the subterfuges of talking truth to power. You could call it consciousness-raising—on a wider canvas.” The New Yorker profiles Gloria Steinem in anticipation of her latest release, My Life on the Road.