Recommended reading: elderly sisters contend with the youngest dying, in a quietly wry new story by Allegra Goodman at the New Yorker. “She pretended to sleep, and then she really did drop off. When she woke, her sisters were hovering over her. Some of us have overstayed our welcome, Jeanne thought. And then, with sudden shock, No: I’m the one. That would be me.”
“The Disney character I most strongly identify with is the Beast before he learns how not to emotionally attack everyone around him, so.” Over at The Toast, Mallory Ortberg tells us why she is the perfect candidate for the job of Fisher King. T.S. Eliot would be proud. Or likely horrified.
The New York Times reports that actress Carrie Fisher‘s books have risen to the top of Amazon’s bestseller lists following news of her death. Fisher penned the memoirs Wishful Drinking, Shockaholic, and The Princess Diarist, which just came out last month, as well as several novels, including the book-made-movie Postcards from the Edge. Our own Lydia Kiesling included Postcards on a reading list for her short-lived celebrity book club a few years back.
Two Sides of the Book Biz in Britain: A small press specializing in works in translation is seeing success thanks to uniquely personal approach… while the big presses are teaming with supermarket chains in a race to the bottom.
New this week is The Tiger’s Wife, the hotly anticipated debut of Téa Obreht, the youngest of the New Yorker’s 20 Under 40 from last year. Also new in the fiction aisle is Carol Edgarian’s Three Stages of Amazement. David Brooks’s latest pop sociology effort The Social Animal is now out — this one, excerpted in the New Yorker — sets itself apart from similar tomes by illustrating its findings through a pair of fictional characters. Now out in paperback are National Book Award winner Lord of Misrule by Jaimy Gordon, Ian McEwan’s Solar, and Rebecca Skloot’s non-fiction blockbuster The Immortal Life of Henrietta Lacks.