Recommended reading: elderly sisters contend with the youngest dying, in a quietly wry new story by Allegra Goodman at the New Yorker. “She pretended to sleep, and then she really did drop off. When she woke, her sisters were hovering over her. Some of us have overstayed our welcome, Jeanne thought. And then, with sudden shock, No: I’m the one. That would be me.”
We all doodle, but Meg Wolitzer gets inspired by it. When she was writing The Interestings, she frequently drew her way into her characters. “I sometimes drew crude, Harvey- and Archie-inspired images of my characters, in keeping with the spirit of Ethan Figman and Figland,” she wrote in The New Yorker.
For the tenth anniversary of Nickel and Dimed: On (Not) Getting By in America, Barbara Ehrenreich has penned a new foreword and introduction which you can read here.
Earlier this week, I told you about a few lists of some really great poetry from 2015. In keeping with the poetic spirit, here’s another fantastic piece from The New York Times in which everyone from Ta-Nehisi Coates to Elena Ferrante talk about their favorite poems of all time.
It’s hard to get a better glimpse of the postwar white male American writer than the essays of William Styron. In My Generation, a new book of collected nonfiction, Styron writes about a raft of his contemporaries, including but not limited to Philip Roth, James Baldwin and Truman Capote. In the NYT, Charles Johnson reviews the collection. You could also read Alexander Nazaryan on a book by Styron’s daughter.
Michael Kimball wants to save you $50,000 dollars on an MFA – by sharing what’s he taught himself. Interested in reading more from someone without a traditional writing degree? Our own Hannah Gersen explains “The Value of Writing Programs: On Why I Don’t Have an MFA.”