Millions staffer Mark O’Connell recently took a look at Édouard Levé’s Works. “For the most part, it’s a catalogue of unrealized creativity,” he writes. “Which in the very extensiveness of its cataloging becomes a monstrous paradox of realized creativity.” (Related: O’Connell previously reviewed Levé’s Suicide and Autoportrait for our site.)
Édouard Levé’s “Monstrous Paradox.”
Hard Choices
Recommended Listening: David Sedaris presented three short stories while guest hosting WNYC’s Selected Shorts. The three stories were written by Amy Hempel, Tobias Wolff, and Frank Gannon, and each one has to do with “hard choices,” says Sedaris.
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McGregor Adapting American Pastoral
This week in book-to-film adaptation news: Ewan McGregor will direct and star in an upcoming version of American Pastoral.
“You can’t be up the reader’s ass, as many a writer I think is—cute as hell, ingratiating as hell.”
The best longread you're likely to find this afternoon: Martin Amis talks to David Wallace-Wells about his latest novel, Lionel Asbo: State of England, America's decline, politics, porn, post-modernism and more. Amis even dodges another attempt to bring up that book he wrote about videogames that nobody will let him live down.
Why Reread?
Nabokov once claimed "there is no reading, only rereading." In an essay for the New York Review of Books, Tim Parks pursues the "key to rereading," taking The Waste Land and Mrs. Dalloway as his test cases.
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‘Lost’ Novel Found
Does it come as any surprise that Lost creator J.J. Abrams would write a book that his editor describes as "the most high concept novel I have ever come across"?
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Flavorwire’s Top 10 Bookstores in the United States
Flavorwire presents a list of its ten favorite bookstores in the United States and requests that you "buy something fer crissakes."
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Opiates
“The cause of death/was living/the immediate cause/of death was/living in Moscow.” At n +1's website, Ainsley Morse and Bela Shayevich excerpt their translations of the Soviet poet Vsevolod Nekrasov.
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A Reader’s Rebellion
"Trusting the literary press and the mechanisms of the market to curate the books we read and study is to hand over whole regions of literary curiosity and judgment before one even picks up a book." On refusing to read. We're not prepared to go quite that far, instead preferring our own Sonya Chung's practice of not finishing books.
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