Millions staffer Mark O’Connell recently took a look at Édouard Levé’s Works. “For the most part, it’s a catalogue of unrealized creativity,” he writes. “Which in the very extensiveness of its cataloging becomes a monstrous paradox of realized creativity.” (Related: O’Connell previously reviewed Levé’s Suicide and Autoportrait for our site.)
In an interview for Guernica Jonathan Lee talks to Chris Parris-Lamb, the literary agent who represented Chad Harbach‘s The Art of Fielding, John Darnielle‘s National Book Award-nominated Wolf in White Van, and now our very own Garth Risk Hallberg‘s upcoming City on Fire, about “The Art of Agenting.” Pair with our own Edan Lepucki‘s conversation with her agent, “Don’t Ever Do It for the Money,” and with the opening lines of City on Fire, a Millions exclusive.
“Our culture claims to celebrate vigor and well-being, yet holds up steroid-addled men and impossibly thin women as models of physical perfection. Those of us unwilling to juice or starve ourselves are left feeling inadequate and confused about why we do not bear any resemblance to the humans we are meant to emulate.” Michael Ian Black reviews two books about the male physique — and reveals a bit about the unrealistic nature of our cultural expectations.
“We have all heard the claim, ‘the victors write the textbooks.’ Among the many ways to unpack the phrase is this: that once upon a time history was bound to and relied on communally agreed upon facts. That is to say, there was not a culture of record the way there is now. There were not cameras and photographs capturing all human movement or digital archives where information was stored in ‘clouds.’ While our methods for remembering have evolved, the ethical question at the heart of recollection remains: how do we tell about the past and who gets to tell it?” Lindsey Drager writes for the Michigan Quarterly Review about memory and storytelling.
“‘I can hold my own in the bedroom and the boardroom,’ she said to no one, and to everyone. ‘You should never underestimate me.’ She took off her blonde ponytail and shook her hair loose; there was another blonde ponytail underneath it.” There’s no better time than now to revisit Mallory Ortberg’s classic, unbelievably funny piece “A Day in the Life of an Empowered Female Heroine” from The Toast.