James Cartwright caught up with London-based book designer Jamie Keenan to discuss his work and his process. (Related: How do American book covers stack up against their counterparts from across the pond?)
“Recently, a friend told me she didn’t like pictures of herself because she never looked the way she thought she did in her head. I think this pretty much describes the universal horror that is looking at your own photos, and that’s why I love the selfie so much. It gives you all the controls to the story you are telling.” In defense of the selfie.
“Keep a close eye on your Twitter account. Important things may be said there that you will be expected to weigh in on, and if you don’t, everyone will wonder if you fell asleep in the bathroom stall of the bar last night and are still there, head sunken low next to the toilet, one lost contact lens embedded somewhere in the floor grime. Make sure they know you’re not; that was the you of 100 million years ago.” Jen Doll on writing and not-writing.
“Reaching the end of a Babstock poem, I often felt (and still often feel) stunned into a kind of numinous awe.” Stewart Cole for Partisan on Ken Babstock and the state of Canadian poetry. Continue with confidence on your quest through the Canadian canon with the help of this guide by our very own Michael Bourne.
Now that NPR has begun fact checking his work, it’s come to light that David Sedaris is a liar. Or, he sort of embellishes. His work is ‘realish.’ So basically, he tells stories. On NPR. Which is feeling pretty sensitive abut the line between truth and truthiness after the Mike Daisey upset.