“There are many ways to define ‘success’ as a writer,” and Jeffrey Condran writes about his own path to and definition of writerly success for The Missouri Review‘s blog. Hint: it has something to do with craft, something to do with editing, and a lot to do with a certain magazine.
“[T]hat might be what liberal readers needs right now: Not just portraits of the Brexit and Trump-voting domestic Other, but a clearer sense of their own worldview’s limits, blind spots, blunders and internal contradictions.” The New York Times‘s Ross Douthat assembles a “Books for the Trump Era” reading list, including Michel Houellebecq’s Submission, Christopher Lasch‘s The Revolt of the Elites and the Betrayal of Democracy, and Samuel P. Huntington‘s Who Are We? The Challenges to American National Identity. You can also read our own review of Houellebecq’s latest here.
Why do great books we read as children have a more profound effect on us than great books we read as adults? It’s hard to say, but YA novelist Anne Cardi comes up with a number of reasons, among them the ability of children’s books to permanently change our viewpoints. (FYI, we asked a bunch of teenagers to recommend last year’s best YA novels.)
Those of you with more than a passing familiarity with the Brothers Grimm will know that classic fairy tales were often dark and macabre. They’re considerably more frightening than the sanitized versions we read to our children today. At Salon, Maria Tatar talks to Laura Miller about her translation of The Turnip Princess, a new collection of previously undiscovered fairy tales. Sample quote: “There isn’t that strict division of gendered labor that you find in the Grimms.” You could also read Kirsty Logan on the trouble with fairy tales.
“No one in his or her right mind would read James’s essay in order to vouch for or against its literary quality, but I am here to do just that.” Ryan Lejarde parses LeBron James‘s “I’m Coming Home” for The Rumpus and comes to myriad conclusions about sports, literature, and what it means to love Cleveland.
“‘I want to meet POETS,’ I typed. Beneath my earnest headline, I described how I yearned for a workshop buddy who wrote contemporary verse, someone who wasn’t afraid to give and accept feedback. I also asked for a sample poem, just to weed out the people I didn’t jive with stylistically.” On forging friendships with poets from Denise K. James at The Rumpus.