It’s the kind of niggling question that drives a writer mad: is it best to edit a piece after you finish a draft, or is it better to edit while you write? At Electric Lit, Lincoln Michel argues for the latter, on the grounds that it lets writers fix endemic problems before it’s too late. You could also read Lincoln’s 2010 Millions review of the movie Avatar.
In the Prospect, an essay on anesthesia, 3D printing, teleportation, LSD, and other thought experiments on self-awareness. Also, this line: “If the spectrum of selfhood begins with the roundworm, surely it ends with Proust.”
In book-to-film news, Lupita Nyong’o has signed on to produce and star in an adaptation of Chimamanda Ngozi Adichie‘s novel Americanah, and we couldn’t be more excited. For more from Adichie, be sure to check out her “Year in Reading” piece for The Millions.
“On the way home, the girl did not notice the color of the sky or the shape of the night, as she was too busy questioning why there were no secrets anymore.” As part of its Recommended Reading series, Electric Literature offers a special seven-part serial by Joe Meno. “Star Witness” tells the story of a young woman in a small southern town who spends the night searching for a missing local girl, and we can’t wait to read the next six installments. Pair with our own Edan Lepucki‘s profile of Meno from a few years back: “[he] seems more than willing to try new things in his work, to stretch his expectations of what he can do as a writer, and what a book can be.”
The Wall Street Journal sent Geoff Dyer a bottle of El Segundo Brewing Company’s Blue House Citra Pale ale, and asked him to write about it. Because he’s Geoff Dyer, and there isn’t a topic (e.g. aircraft carriers, photography) on Earth that he can’t write about, he of course obliged.