It’s the kind of niggling question that drives a writer mad: is it best to edit a piece after you finish a draft, or is it better to edit while you write? At Electric Lit, Lincoln Michel argues for the latter, on the grounds that it lets writers fix endemic problems before it’s too late. You could also read Lincoln’s 2010 Millions review of the movie Avatar.
Craft Work
New from Neruda
Then Come Back: The Lost Neruda will compile never-before-seen poems from Pablo Neruda’s archives. “Forrest Gander, the Brown University professor who translated the poems into English, likens the discovery to finding a trove of new sketches by Michelangelo.” Visit Neruda’s home with Luke Epplin.
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From Jakarta to Franfurt
In light of this year’s Frankfurt Book Fair, which had Indonesia as the official guest of honor, check out Wayan Sunarta’s essay on the rise of Indonesian literature abroad. As he explains it, “Although Indonesian literature is in the ascendant at home, it has so far failed to establish itself internationally. The number of works translated from Indonesian is still very small.”
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Activist Art
Over at Hyperallergic, art, activism, and literature collide in When We Fight, We Win!: Twenty-First-Century Social Movements and the Activists That Are Transforming Our World by Greg Jobin-Leeds and AgitArte. Pair with our own Bill Morris’s review of The Black Power Mixtape 1967-1975.
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Berlin Stories, Redux
“Home is the place where there is someone who does not wish you any pain.” Stop what you’re doing and go read this interview with Darryl Pinckney, author of Black Deutschland, over at The Rumpus. Here’s a great Millions essay on Christopher Isherwood’s Berlin Stories, which serves as a sort of (misguided) guide map for the protagonist of Black Deutschland.
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More Praise for Alina Bronsky
Following up on our look at the German literary landscape, Three Percent publishes a glowing review of Alina Bronsky‘s Broken Glass Park.
Gives a Whole New Meaning to “Posting Up with a Book”
For those awkward outdoor situations in which you can’t overtly clutch a book to passively inform onlookers “hey, I read,” Fieldcandy has designed a tent that looks like a book.
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Conquest of Panic
Irving Howe asks how Hemingway commanded the attention of a generation. Howe writes, “His great subject, I think, was panic.” Our own Michael Bourne recently answered this question, recognizing Hemingway as a middlebrow revolutionary.
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missed this– going to read.
the thing about editing is that it has to happen on so many levels, micro and macro. And don’t editing and revision overlap, too?