It’s the kind of niggling question that drives a writer mad: is it best to edit a piece after you finish a draft, or is it better to edit while you write? At Electric Lit, Lincoln Michel argues for the latter, on the grounds that it lets writers fix endemic problems before it’s too late. You could also read Lincoln’s 2010 Millions review of the movie Avatar.
For those of us on the east coast, this reimagining of Cormac McCarthy's The Road as The Road (Has Not Been Plowed In Thirty-Two Hours) should really hit home this morning. Bonus: The Road also made our own "Best of The Millennium" list.
In the wake of the terrorist attacks in Paris, Ernest Hemingway’s A Moveable Feast has rocketed to number one best-seller status in France as an emblem of cultural defiance. With a title in its French iteration that roughly translates to “Paris is a celebration,” the sudden popularity of the book run even Amazon out of stock.
Fans of Arundhati Roy are celebrating at the news that the author will publish a new novel, her first in 20 years, reports Electric Literature; The Ministry of Utmost Unhappiness is scheduled for release in 2017. Our own Garth Risk Hallberg maaaaay have poked a bit of fun a few years back at the title of Roy's first novel, The God of Small Things, but that was all in good fun.
As a cultural center with a very different makeup than the various home bases of the publishing world, Los Angeles often gets short shrift in discussions of literary cities. At the LARB (naturally), Sarah-Jane Stratford writes about the city’s importance to speculative literature, with an emphasis on the works of Ray Bradbury. Related: Tanjil Rashid on Bradbury’s Middle East connection.
If you haven't been following The Morning News Tournament of Books, now is the time to catch up. There's been ample drama and the always insightful commentary from the booth. The finalists are set - Wolf Hall and The Lacuna - and the champion will be revealed on Monday.