It’s the kind of niggling question that drives a writer mad: is it best to edit a piece after you finish a draft, or is it better to edit while you write? At Electric Lit, Lincoln Michel argues for the latter, on the grounds that it lets writers fix endemic problems before it’s too late. You could also read Lincoln’s 2010 Millions review of the movie Avatar.
Craft Work
The Millions on Google+
We recently set up a presence on Google+, and we think you should hop on over to join us.
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Virginia in Vogue
Look back on an article Virginia Woolf wrote for Vogue in 1924. Staff writer emeritus Emily Colette Wilkinson tackles Woolf’s difficult text, To the Lighthouse.
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Bio Unbound
At Salon, Cornel Bonca reviews Roth Unbound, a new “hybrid” biography of Roth that New Yorker staff writer Claudia Roth Pierpont wrote after months of interviews. Although the book glosses over Roth’s personal flaws, it gives a great overview of his work, Bonca writes.
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“Beyond Geography” Event at The Center for Fiction
Tonight, 12/4, in New York, The Center for Fiction, hosts “Beyond Geography,” a discussion of the role of place in the art of fiction with Jennifer Haigh, Hari Kunzru, Jennifer Acker, and Sonya Chung, co-sponsored by The Common.
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The Great Vietnamese Novel(s)
“The literature by Vietnamese and Vietnamese-Americans is out there for anyone who knows how to use Google. But so many here and abroad would rather not know, or when a new Vietnamese author is published, would prefer to say, ‘At last! A voice for the Vietnamese!’ In fact, there are so many voices, for the Vietnamese people are very loud.” Pulitzer Prize winner and Year in Reading alumnus Viet Thanh Nguyen (The Sympathizer) writes in The New York Times about the diversity of Vietnamese writing, too often ignored in favor of war narratives and the voices of American veterans. (For an incredible syllabus of books to fill in the gaps, see the middle of his piece.)
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To the Far Sector with N.K. Jemisin
Hugo award-winning sci-fi and fantasy writer N.K. Jemisin discusses scripting the new Green Lantern series, Far Sector, for DC Comics
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Maman Called Today
“If to live is to suffer, and surviving is to find meaning in the suffering, does this explain why I have to spend precious time and money at work happy hours?” Existentialism for Millennials.
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missed this– going to read.
the thing about editing is that it has to happen on so many levels, micro and macro. And don’t editing and revision overlap, too?