Alice Bolin writes for The Believer about Joan Didion, Los Angeles, and Play It As It Lays. The novel was also listed as one of The Millions‘s “Burnt-out Summer Reads,” so if there’s ever a time to read it, it’s probably now.
I’ve gotten a little behind in my reviews of books I’ve read recently. Maybe I’ll get to it this weekend or early next week. In the meantime here are three literary links that caught my eye today:The many challenges of turning books with non-textual elements into audiobooks. Also discussed: how to verbally render David Foster Wallace’s copious footnotes. (New York Times).Daedalus, the big remainder house, is opening a standalone bookstore in Baltimore (Baltimore Sun). Previously: I discuss remaindered books – and buy some, too!A mysterious person – or possibly persons – has been placing roses and a bottle of cognac on Edgar Allen Poe’s grave each year for 57 years on the anniversary of the writer’s birthday. This year some nosy people got in the way, but the meaning behind the ritual and the identity of the visitor remains hidden. (Guardian)
I didn’t expect to find a Chinese poem more ornate than Su Hui’s palindromic, pre-oulipan “Xuanji Tu,” but apparently I underestimated myself. Here’s “Lion-Eating Poet in the Stone Den,” a 92-character poem by Yuen Ren Chao which relies on the tonal variations of a single sound (shi) to tell the story of a “lion addict” with a taste for big cats. For a really crazy experience, I recommend listening to the poem being read aloud.
“The art style also changes from chapter to chapter — some panels fill the pages to the edges and are overwhelming in their dark palette; some seem ordinary in proportion, confident; others fill the space around small figures with words, words, words; and others still have a minimalist, sketch-like quality and barely occupy the page at all — and they aren’t always chapters, or even stories, in the traditional sense.” On MariNaomi’s Dragon’s Breath and Other Stories.