This week Uncanny Valley Press released Leave Luck to Heaven, Brian Oliu’s collection of lyric essays based on “the weird, painful things we made NES games carry for us because we didn’t know where else to put them.” To get a taste for Oliu’s style, check out “Mile Zero,” which will be featured in a different manuscript down the line.
A pair of big-name writers have new shorter-form ebook originals out. Stephen King’s Guns is a “pulls-no-punches essay” about gun violence in America, with all proceeds going to Brady Campaign to Prevent Gun Violence. Meanwhile, Richard Russo has a new novella, Nate in Venice.
In the Atlantic‘s annual fiction supplement, Joyce Carol Oates writes about the loss of her husband of 48 years and the split identity of the well-known writer: “My job at the university is to impersonate ‘Joyce Carol Oates’ […] this quasi-public self […] is scarcely visible to me, as a mirror-reflection, seen up close, is scarcely visible to the viewer.”
The media world is abuzz about a former Harper’s Bazaar intern suing parent company Hearst for allegedly violating labor laws for not paying her (With reactions ranging from “She’ll never work in this town again.” to “Good for her. It’s about time!”). At least she didn’t get sucked into HuffPo’s aggregation turbine.
Few things are more individual than your feelings about e-books. Dustin Illingworth can’t stand them — as he puts it, “books are meant to be handled and smelled.” At Full-Stop, he writes about what this preference reveals about himself. You could also read our tribute to e-book pioneer Michael Hart.
It’s been 23 years since Terry Pratchett and Neil Gaiman wrote Good Omens together, but a new collaboration is in the works. Director Dirk Maggs revealed to RadioTimes.com that he’s working with Gaiman on a Pratchett project for BBC Radio. Previously, Maggs teamed up with Gaiman on the excellent Neverwhere radio adaptation. More good news for Pratchett fans: he just signed a 10-book deal with Doubleday and Anchor Books.