Today in book-related graphics: The Arts Shelf has created an infographic measuring famous literature by word count, and The New York Times provides a handy, illustrated guide to any writers’ retreat, complete with authors’ cloisters and an “emergency idea generator.”
Literary prizes are nothing new, but prizes that give writers real estate are a thoroughly modern development. At Salon, Michele Filgate investigates our odd new economy, in which lucky writers win leases to homes, inns and (in one case) a goat farm. You could also read our own Nick Ripatrazone on the Amtrak residency.
The L Magazine features an interview with poet/multi-genre artist Claudia Rankine, whose performance piece The Provenance of Beauty: A South Bronx Travelogue — a Rankine-written-and-recorded narrative that accompanies a bus ride through the South Bronx — will run for two months beginning Labor Day Weekend.
According to Chris Richards at the Washington Post, the Ivy League rockers of Vampire Weekend are the unapologetic Bright Young Things of our recession era. Drinking Darjeeling on Daddy’s yacht never looked so good, he says, and their second album, Contra, out yesterday, sounds pretty good too.
Millions contributor Michelle Dean wrote for The New Yorker‘s Page Turner about Opal Whiteley, whose childhood diary–written when she was six on scraps of paper–was published over 100 years ago to meet with acclaim, then controversy, and then obscurity. If girl prodigies interest you as much as they do me, you’ll also love this 2010 piece from Lapham’s Quarterly, on Barbara Newhall Follett.
Sam Sacks takes a look at the “two major acts” in the life of Vasily Grossman, the Jewish-Russian author perhaps best known for his monumental account of the Stalingrad siege, Life and Fate. (Bonus: Life and Fate was picked by Stephen Dodson as his Year in Reading pick back in 2011.)