“There is one rule [to writing biography] that all who try their hand at it come to know: until the protagonist reveals his or her character—his or her inner self—what the biographer produces is less a life than a report, an autopsy rather than the record of a séance.” David Levering Lewis writes for The American Scholar about biography and writing “the lives of African-American figures, and [finding] in them the story of our times.”
Frank Stanford isn’t the most well-known American poet, but he is one of the most revered, at least according to his contemporaries. At The Rumpus, David Biespeil writes about a new collection of the poet’s work, remarking that “no American poet I have ever met regardless of disposition or poetics has disliked Frank Stanford’s poems.”
Attention Los Angeles-based readers and eaters! On Tuesday evening, June 29, 2010, Michelle Huneven and Samantha Peale will be at Canele in Atwater Village to celebrate the paperback releases of their latest novels (Blame and The American Painter, Emma Dial, respectively.) Food from the books will be served–the 3-course dinner is only $34. Skylight will be selling the books.
Is hardcover the new vinyl? Over at The Literary Hub, Yahdon Israel argues for the irreplaceable magic of tactility and print books: “There’s something gratifying about being able to underline a sentence or write a response in the margin of a book, knowing with certainty that it will be there later. I can’t get that guarantee from a phone. My data could be hacked, a new upgrade could wipe its memory, my battery could die mid-sentence and cause me to lose everything I’ve typed. They say that what goes up into the Cloud must come down, but ‘they’ can’t always be trusted—least of all with the things I value most, my books.”
Thirty years after its initial publication, Don DeLillo’s White Noise is still every bit the hilarious, uncannily prescient classic that everyone believed it was. White nailed the whole “America poisoned by reality and the humming glow of computer screens” angle better than almost anyone. For more DeLillo, here’s what its like to re-read White Noise.
“What does the professoriate watch off the clock, in their precious moments of respite?” Because academics need breaks too, Sarah Kessler asks her colleagues what shows they’ll be binge-watching this summer. If you’re one of those weirdos who still prefers books, though, how about binge-reading Henry James?
A couple dozen leading literary magazine editors recently found themselves debating “submission fees” in a long, heated, and candid listserv discussion. The complete transcript – names have been changed to protect the innocent – is alternately depressing and heartening. It’s a must-read for anyone who publishes in little magazines, or plans to, or is just curious about how editors see themselves. (Update (11/12): Apparently, the literary magazine that published this content on its website had not been authorized to do so by the Council of Literary Magazines and Small Presses, which administers the listserv. The content has since been taken down; we’ve de-activated the link to reflect that.)