We hear a lot about the books writers read while drafting their own novels and stories. But we don’t hear as much about the music, TV shows and other forms of art that kept them going throughout the process. At Page-Turner, Amy Bloom catalogues the influences on her latest novel.
The Possessed: Adventures with Russian Books and the People Who Read Them, the forthcoming debut effort by sometime Millions contributor Elif Batuman, gets an intriguing write-up in Publishers Weekly.
In the mid-aughts, Jonathan Gottschall pioneered “literary Darwinism,” a new form of analysis which applied evolutionary theory to works of literature. It was part of a wider upheaval in English departments across the country. Now, more than ten years later, we can make an assessment: how’d it work out for Gottschall? The answer: not well. (h/t The Paris Review Daily)
“You’re asking if the Race Memoir, the Gender Memoir, or the Sexuality Memoir will survive market trends. I don’t know, but if I put your question in context with Imani Perry’s idea then yes, it will endure. Will it always be ‘trending’? No, but it will endure.” Just one of many great lines from Kima Jones who, along with Terese Marie Mailhot, Meredith Talusan, Ijeoma Oluo, and Kathryn Belden, discusses the current upswing in books on gender and race for Buzzfeed.
“It is not, however, fashionable to love acknowledgments, and for good reason: Most of them are numbingly predictable in their architecture, little Levittowns of gratitude.” In her last piece for The New York Times as a daily book critic, Jennifer Senior writes about her unabashed love for acknowledgements in books. From our archives: Henriette Lazaridis‘s essay on the same topic.