The Catcher in the Rye is 63 years and 1 day old today and PBS has published an infographic tracing the novel’s complicated route to publication. Pair with Millions essays about rereading Salinger and his three leaked stories.
Out this week: The Land of Love and Drowning by Tiphanie Yanique; Last Stories and Other Stories by William T. Vollmann; High as the Horses’ Bridles by Scott Cheshire; The Hundred-Year House by Rebecca Makkai; Tomorrow and Tomorrow by Thomas Sweterlitsch; A Brave Man Seven Storeys Tall by Will Chancellor; The Confessions of Frances Godwin by Robert Hellenga; Don’t Try to Find Me by Holly Brown; The Girls from Corona del Mar by Rufi Thorpe; Mr. Gwyn by Alessandro Baricco; Road Ends by Mary Lawson; and our own Edan Lepucki’s California (which you may have seen on Colbert). For more, go read our Great Second-half 2014 Book Preview.
Researchers have determined that “winning a prestigious prize in the literary world seems to go hand-in-hand with a particularly sharp reduction in ratings of perceived quality.” So if you’re very sensitive, take some solace in the fact that you haven’t won a major award, I guess.
“While men weren’t looking, women built a genre that tackles love, sex, pleasure, class, money, feminism, masculinity, and equality.” Jamie Green writes for Buzzfeed about how romance novels have gotten more feminist over the years (and still getting a happily ever after) and people are now starting to sit up and take notice.
“According to an interview with her publishers in the Italian literary newsletter Il Libraio, translated in The Guardian, Ferrante is putting pen to paper once more.” A year after Elena Ferrante‘s alleged true identity was revealed by a journalist, the intensely-private author is writing again but has no plans to publish a novel in 2018. Pair with: staff writer Marie Myung-Ok Lee‘s essay on Ferrante, privacy, and woman writers.
“In the new environment, science fiction writers needed new formulas – or even better, needed to have the courage to operate without pre-cooked recipes of any sort. In short, science fiction needed to grow up and take on the adult world, in all its messiness and uncertainty.” Ted Gioia pens a paean to sci-fi writers of the 1960s. Among his recommendations (including a reading list of 64 works): Camp Concentration by Thomas M. Disch, whose larger oeuvre is considered here.
“Mario purchased pickup trucks from which he removed panels and lights. The trick was packing the drugs in a part of the vehicle where the body wouldn’t lose its hollow sound when slapped.” These two sentences just got author Dan Slater‘s new book Wolf Boys banned from Texas prisons, inadvertently calling attention to Banned Books Week. Pair with two of our essays about controversial reads.