“Does handwriting matter?” That’s the question some researchers are working to answer and that Maria Konnikova tackles in a piece for The New York Times. The article ends by suggesting that “with handwriting, the very act of putting it down forces you to focus on what’s important… maybe it helps you think better,” which is doubtlessly encouraging to every writer who works on their drafts in longhand.
Write This Down
Ottessa Moshfegh on Imagination in Isolation
Ottessa Moshfegh's new book, Death in Her Hands, follows Vesta, a woman whose isolation takes on new significance in today's quarantined climate.
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Writing Sarcastically
Sarcasm makes the Internet go round. No, seriously, it basically does, and over at The Toast a linguist examines some of the strategies writers have developed, or are trying to develop, to communicate that sarcasm through writing, without the benefit of an eye-roll and a different tone of voice.
Bad Yet Vital
As you may have heard from our own Bill Morris, The Canyons, the new movie starring James Deen and Lindsey Lohan, is a bad film that somehow manages to be worth watching anyway. At the LARB, Naomi Fry agrees with this assessment, arguing that the film is important because it “identifies how desperately many of us still want to believe that the larger-than-life, commodified good life is still available to us.”
Dispatch from Korea
“For American readers, literary evocations of Korea have come, for the most part, in the form of dystopian novels written by people without any direct connection to the country.” Ed Park on reading Dalkey Archive Press’s series Library of Korean Literature, launched in collaboration with the Literature Translation Institute of Korea.
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