“Does handwriting matter?” That’s the question some researchers are working to answer and that Maria Konnikova tackles in a piece for The New York Times. The article ends by suggesting that “with handwriting, the very act of putting it down forces you to focus on what’s important… maybe it helps you think better,” which is doubtlessly encouraging to every writer who works on their drafts in longhand.
Write This Down
On bad taste
In the world of fine art, is there such a thing as bad taste anymore? Based on the recent Swedish MOMA cake controversy, I’d say, um, heck yes.
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Not a Chore
One of the more persnickety questions a writer has to deal with is how to capitalize the title of a piece correctly. Thankfully, there’s now a website that does it for you, based on the rules in the Chicago Manual of Style.
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Why Art Matters
At the Guardian, Alain de Botton, author of the forthcoming Religion for Atheists, considers whether “museums of art are our new churches” and says “modern museums of art fail to tell people directly why art matters.”
Blooms of Darkness wins the Independent Prize for Foreign Fiction
Aharon Appelfeld, a prolific Israeli novelist, has won the Independent Prize for international fiction for his latest book, Blooms of Darkness. Check out our guide to this year’s award’s shortlist.
Hallberg an NBCC Balakian Finalist
Congratulations to our own Garth Risk Hallberg, who was a finalist for the Nona A. Balakian Citation for Excellence in Reviewing, awarded by the NBCC. Critic William Deresiewicz took home the prize. We wrote up the finalists in the fiction and non-fiction categories yesterday.
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As Bad As The Worst
Believe it or not, there may be a connection between Walt Whitman and US drones.