There’s an oxymoron for you: “Rich Poet.” But the new fortunes of Emirati poet Saif Al Mansouri prove that with talent, grit, and a live television audience, truly anything is possible. The UAE show “Millionaire’s Poet,” in its sixth season, awarded $1.3 million (the Nobel Prize. for comparison, is $1.2 million) to winner Al Mansouri, and perhaps something even more valuable – a global audience of up to 70 million, actually tuning in.
“In a world where reality has become stranger than fiction, actual books are no longer selling.” At The New Republic, Morgan Jerkins talks with agents, authors, booksellers, editors, and publicists about whether the Trump presidency is bad for the book business. And on that note, let’s revisit our own Bill Morris on book releases: “There are few iron facts in the crapshoot of the literary life, but here’s one: In book publishing — no less than in music, war, and sex — timing is everything.”
Many feared the permanent loss of thousands of precious manuscripts and relics after insurgents razed Timbuktu’s Ahmed Baba Institute of Higher Learning and Islamic Research. The Institute was home to over 30,000 manuscripts dating back to the 13th century. Or was it? In a fascinating report, Rukmini Callimachi details the extraordinary efforts of the some passionate locals that wound up saving much of the collection.
“I know the words for elk and water. There are other Shawnee nouns as dense as koans with metaphor and meaning, but they remain inscrutable to me.” Poet Laura Da’ authors the most recent Rumpus Saturday essay, a stunning meditation on concessions made to both the body and the body politic. A member of the Eastern Shawnee Tribe of Oklahoma, Da’ is the author of Tributaries, a 2016 American Book Award winner. See also: our review of Philip Meyer’s latest novel, The Son.