A startling conclusion from this data visualization of where in words each letter of the alphabet tends to fall: “the most common word may be ‘the, but the most representative word is ‘toe.’ ” (Also available: detailed methodology and algorithms for the data geeks; an explanation of data-viz as a narrative form for everyone else.)
“Despite a glut of English translations (well over a hundred, by my count),” writes Dante scholar Robert Pogue Harrison, “New versions of the entire [Divine Comedy] poem or individual canticles continue to appear in rapid succession—six in the last decade alone.” Over at the New York Review of Books, he investigates three of the latest: Dan Brown’s Inferno, Mary Jo Bang’s Inferno, and Clive James’s Divine Comedy.
Out this week: The Betrayers by David Bezmozgis; A Slip of the Keyboard: Collected Nonfiction by Terry Pratchett; Ballroom by Alice Simpson; Hello Mr. Bones & Goodbye Mr. Rat by Patrick McCabe; Rooms by Lauren Oliver; and How to Build a Girl by Caitlin Moran, who released an essay collection two years ago. For more on these and other new titles, check out our Great Second-half 2014 Book Preview.
I’m thinking about installing a Delaney Nolan bat signal to alert the world of her new work whenever it appears. Previously I’ve evangelized about her writing in Guernica, Necessary Fiction, Sundog Lit, and The Rumpus, but this time I’d like to call attention to her photo essay about New Orleans in the latest issue of Oxford American.
You’re only supposed to consume oysters in months with the letter “r” in their English (and French) names. This is because oysters in the Northern hemisphere are more likely to spoil during the warmer months of May, June, July, and August. So if you can’t eat ‘em, you might as well hear about ‘em instead, right? Presenting this video of Seamus Heaney reading his poem, “Oysters” (Text here).