Courtesy of fake-news juggernaut The Onion, a new viral website honest about its purpose: “I think we see the ideal ClickHole reader as a hollow shell who exists purely to click on our content and then share that content with other hollow shells.” (Also: the same technique on headlines, applied to books.)
Soon HBO will have another show based on an acclaimed book in its lineup. Olive Kitteridge, a show based on the Pulitzer Prize-winning novel by Elizabeth Strout, will premiere on November 2nd. You can see the trailer (along with a brief analysis) over at Slate. FYI, Strout wrote a Year in Reading entry for us.
Over at The Paris Review, Hannah Tennant-Moore defends the merits of disturbing literature. We are fascinated with the disturbing, because, as Tennant-Moore asserts, "wonder, disgust: both feelings are true." Here's a bonus piece on A.M. Homes' darkly comic May We Be Forgiven and on comforting the disturbed -- or is it disturbing the comforted?
The Corrections might never make it to screen, but Jonathan Franzen's New Yorker essay on songbird poaching, "Emptying the Skies" (behind the paywall), is already a documentary. The film follows a group of bird lovers trying to save the endangered animals and even includes an interview with Franzen. Although the documentary just found a distributor, there is no word on an official release date. Until then, here's the trailer.
Book publishers will tell you how many titles they are publishing this fall. Apple at least reveals how many iPads it sells. But Amazon is taking a different tack, shrouding much of the plans for its publishing venture in secrecy.
American Short Fiction's managing editor Jess Stoner is reading local newspapers from one state a week and reporting on the big headlines in a better attempt to understand America. As she puts it, "Not to snark, not to make fun of people from unincorporated towns who write letters to the editor, but to share with you a more complicated, less yell-y look at where we are, with the hopes of better understanding where we might be headed." The first state is Alabama.
"The American poem was not in a grave at that time; not by any measure. There was achievement, experiment, excitement. But there was also confinement. It could be felt in the air, in an ethos of conditional acceptance. A young woman poet was not yet a familiar sight. When Auden remarked about [Adrienne] Rich’s poems, after choosing her as a Yale Younger Poet, that they were 'neatly and modestly dressed,' it sounded more like a counsel for the nursery than acclaim for a new writer.” At The New Republic, Eavan Boland reflects on the legacy of the poet, whose posthumous collection, Later Poems, came out last week.