“To the pathless wastes, into thin air, with no reviews, no best-seller lists, no college curricula, no National Book Awards or Pulitzer Prizes, no ads, no publicity, not even word of mouth to guide me!” For her new book The Shelf: From LEQ to LES, Phyllis Rose undertook the ultimate stunt in writing-about-reading: an unsorted shelf with no logic at all.
“It suddenly went off: ‘Oh, fuck, I’m going to try it as a novel, aren’t I?’ A terrifying realization because John Lennon is such an iconic figure—and the feeling I get out around there, this kind of eeriness, this kind of strange haunted reverberation. I mean, the fuckin’ Atlantic is a really weird thing to grow up right beside.” Millions staff writer Bill Morris sat down with Kevin Barry to talk about his new book, Beatlebone, and about the trouble of getting John Lennon’s voice right on the page. Morris has brought you a bit on Barry in the past.
"It’s really strange to have the success of a poem be so directly tied to people processing grief. It’s a strange thing, because it’s a blessing and a curse." The Rumpus interviews poet Maggie Smith about her new collection, Good Bones, her viral poem that shares its name, and her craft. From our archives: Smith's collection was featured in our round-up of October's Must-Read Poetry.