Dave Eggers has a new novel out this week, while Neil Gaiman has an illustrated version of a previously published story on shelves. Also out: I Love You More by Jennifer Murphy; The City Son by Samrat Upadhyay; and The Last Magazine by the late Rolling Stone reporter Michael Hastings.
Tuesday New Release Day: Eggers; Gaiman; Murphy, Upadhyay; Hastings
Approaching Parity
“If we are looking for a single category to explain why women are better represented among best-selling authors today, the Literary/None category is our best candidate. Most best-selling books fall into this category, and its change over time closely matches the overall gender ratio, shifting from extreme bias in the 1980s to close to parity in the 2000s.” Rosie Cima has put together a beautifully thorough and thoughtful analysis of gender, best-seller lists, and publishing for The Pudding. For a more exegetical analysis, consider our own Sonya Chung‘s exploration of writing across gender lines.
“The source of sexual power is curiosity, passion.”
Anaïs Nin had a lot to say about writing erotic fiction. Notably, she was unwilling to “leave out the poetry” and “concentrate on sex” in its place, despite repeated requests from her anonymous client to do just that. On a lighter note, Seth Fried also has some advice for aspiring writers of erotica. Quick, somebody get both of these articles to E. L. James.
‘But you must read’
Gay Talese’s highly detailed accounting of his daily routine — what he reads, how he works — is fascinating.
Words came in, marked for death.
The New Yorker has been hosting a Twitter game show, and this time around the contestants were words and in a macabre turn each word was berated by the audience, the people calling out for the death of that contestant. One word was forced to ultimately bite the bullet and will no longer be welcome in the magazine’s next issue. Tragic.
Semicolon Shenanigans
Need to spice up your writing? Try one of McSweeney’s punctuation marks such as the Yellow-Winged Apostrophe, which likes “to ‘peace out’ of its obligation to indicate possession or contraction,” or the Academic Ellipsis, which “is used by those who wish to demonstrate just how much more they know about how to use ellipses than you do.”