Need something to complement our profile of Jami Attenberg’s Saint Mazie today? Then try this on for size: Year in Reading alum Emily Gould conducts an interview with the author at The Rumpus. Among other things, they talk about historical fiction, writing quickly and doing research on the Lower East Side.
Tim Weiner won the Pulitzer Prize for Legacy of Ashes: The History of the CIA. Then, four years after its publication, he received a box of J. Edgar Hoover’s “personal files on [FBI] intelligence operations between 1945 and 1972” from a well-connected D.C. lawyer. That treasure trove of information has since wound up in his recently published book, Enemies: A History of the FBI, and he sat with NPR’s Terry Gross to talk all about it.
Calling a book “the spiritual prequel to The Road” is a great way to signal its command of dystopian tropes. It’s what Gabe Durham wrote about Maxwell Neely-Cohen’s recent YA novel Echo of the Boom. At The Rumpus, Durham interviews Neely-Cohen, who describes how he tried to give a metafictional bent to the novel. Related: we asked high school students to pick their favorite YA books of 2013.
An early example of the literary take-down. Willa Cather on Mark Twain: “He is not a reader nor a thinker nor a man who loves art of any kind.”
“At first I had three [children], because I think we need to be outnumbered. It’s good for them. That was my plan when I had three children.” Sit down with Karl Ove Knausgaard as he drives his daughter home. Jonathan Callahan reflects on how Knausgaard’s writing consumes him.
The 2012 Costa Book Awards (PDF), which recognize books by writers in the UK and Ireland, were awarded yesterday in the Novel, First Novel, Biography, Poetry and Children’s Book categories. Interestingly, each category was won by a female author. Three cheers for Hilary Mantel’s Bring up the Bodies, Francesa Segal’s The Innocents, Mary M. Talbot’s Dotter of Her Father’s Eyes, Kathleen Jamie’s Overhaul, Sally Gardner’s Maggot Moon.