You’re probably up to your neck in World Cup coverage, but here are some gems well worth your attention no matter what: Teju Cole created a “Copa do Mundo do Brasil” playlist to set the mood; Pablo Torre’s one-sentence-long summation of Day One in São Paulo; an excerpt from Aleksandar Hemon’s The Matters of Life, Death, and More: Writing on Soccer; The New Republic’s round-up of “eleven writers and intellectuals on the World Cup’s most compelling characters“; and, of course, Shaj Mathew’s recent Millions review of Brazil’s Dance with the Devil.
It’s hard to believe that the country containing Aokigahara, or “The Suicide Forest”, has for so long ignored its abundance of clinically depressed, “overworked” citizens, but Junko Kitanaka, in her book Depression in Japan, explains exactly why that’s happened.
The biggest release of the week is, of course, the launch of the first Millions Original, Epic Fail (here’s our excerpt), by our own Mark O’Connell (We may be a bit biased there). Also out, Sam Roberts’s Grand Central, about the iconic train station, and, now available for the first time in a single, massive paperback volume, Haruki Murakami’s 1Q84.
RSVP: We’ve already had several RSVPs for our NYC indie bookstore walking tour. Get all the details via our announcement post.People are still adding to our collaborative literary Atlas. Recent additions include several non-bookstore literary spots in the Midwest, including the Kate Chopin House and the final resting place of William S. Burroughs. The Atlas itself has been viewed over 100,000 times.Panelists at the SXSW “New Think for Old Media” panel face death by a thousand Tweets.Also via Freebird: Iggy Pop explores Michel Houellebecq’s raw power.Mark Grief and Year in Reading contributor Wells Tower give far-ranging interviews in a new online journal, Wag’s ReviewHanif Kureishi discusses life after the Rushdie fatwa.A bibliography of coffee.The editor of John Updike’s book reviews remembers the writer: “he was attentive to everything.”Cathleen Schine admires Zoe Heller’s The Believers.The Village Voice praises Mary Gaitskill’s “ludicrous mastery.”In two long posts, Blographia Literaria offers a thoughtful alternative to our take on The Kindly OnesBen Okri pioneers the Twitter poem.Two books named Brooklyn enter, one book named Brooklyn leaves. (via)Tucker Carlson sounds a dissenting note on Jon Stewart in the wake of the Jim Cramer takedown.Levi Asher and Scott Esposito discuss litblog economics.At The Second Pass, Jon Fasman calls readers’ attention to Russell Hoban’s Riddley Walker, echoing John Wray’s Year in Reading contention that “Sometimes, though, a work of originality and genius slips inexplicably through the cracks.”Wray’s Lowboy, meanwhile, got the James Wood treatment at the New Yorker this week.
Recommended reading: Ben Shattuck spends a night and a day aboard a New England whaling ship in an attempt to better understand Ishmael’s (and Melville‘s) experiences, and combines Moby-Dick excerpts with his own accounts of life onboard in a piece for The Atlantic.
“It’s fair to say Shakespeare is having a cultural moment in Asia, with a “boom” of new film adaptations and dramatic stagings,” and the Royal Shakespeare Company just received 1.5 million pounds to keep that boom going by translating all of the Bard’s plays into Mandarin. Melville House has the full story, and it pairs well with both this diagram of a translated book’s usual lifespan and this discussion of Shakespeare’s best plays.