Recommended Reading: Rachael Maddux’s “Hail Dayton,” which features one of the finest opening paragraphs ever printed.
“The town was called Dayton.”
The Southern Review’s New Digs
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Shades of Censorship
“I was absolutely horrified. Wouldn’t have known if not for a Russian reader who read both editions. Publisher in total breach of contract.” The Guardian reports that author VE Schwab was “devastated” to learn scenes from her fantasy series Shades of Magic have been excised from Russian translations for featuring queer characters. See also: a consideration of the commercial viability of LGBTQ lit.
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Even More DFW
In honor of this weekend’s U.S. Open, Grantland‘s Michael MacCambridge is revisiting David Foster Wallace‘s epic essay on Roger Federer.
The Personal Is Political, the Political is Personal
Over at Electric Literature, John Freeman profiles Year in Reading alumnus Ben Lerner, newly minted MacArthur genius and author of two novels in which “the political opens a path for the personal, just as the personal urges him to engage the political.” Freeman writes, “This blending—of perception and politics—comes right out of how Lerner sees the world in real life.” Pair with Christopher Wood’s Millions review of Lerner’s 10:04.
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Making History at the Hugos
“To some degree, as I move outside of the exclusive genre audience, the exclusive genre issues don’t bother me as much.” The Atlantic talks with N.K. Jemisin, the first black writer to win speculative fiction’s Hugo Award for Best Novel for The Fifth Season. We wrote about Jemisin’s work when she was nominated for the Hugos a few years back.
Watching Olive Kitteridge
A couple of weeks ago, I pointed readers to the trailer for Olive Kitteridge, the new HBO show based on the Pulitzer-winning novel by Year in Reading alum Elizabeth Strout. In this week’s New Yorker, Emily Nussbaum sizes up the new series, describing it as a case study in bringing a work of fiction to the screen. “In the course of four hours, the miniseries casts a West Coast spell on scenes of Yankee repression,” she writes.
Know The Rules Before You Break Them
Point: Dan Chaon believes younger writers should read more contemporary writing before attempting to be published themselves. Counterpoint: J. Robert Lennon believes most contemporary writing is a waste of would-be writers’ precious time. TL;DR Version: Nathan Elwood notes that if writers “want to change the face of literary fiction … [they should] at least know what it looks like.”
@NickMoran
Wow. I agree. I also loved “besot by hyper-conservative goofery.”
I just forwarded “Hail Dayton” to a student I’m coaching, who fears she is irredeemably lackluster as a writer. I disagree. I think she has been beaten down by an idiot of a boss who “doesn’t like” her writing but can give her absolutely no specifics as to why. What I would like would be to stride into her office and smite him.
My student’s assignment is to let the words of “Hail Dayton” wash over her.
I am very excited about discovering Rachel Maddux. What a one-of-a-kind voice she [email protected]
Moe Murph
Least Favorite Comment: “There’s something wrong with it but I don’t know what it is.”
@Moe Murph, agreed! Hope you get to smite and soon!