Tom Perotta, author of Little Children and The Leftovers, talks about how he learned to write about ordinary life from Thornton Wilder’s play, Our Town. “The tragedy is that, while we’re alive, we don’t view our days in the knowledge that all things must pass. We don’t—we can’t—value our lives, our loved ones, with the urgent knowledge that they’ll one day be gone forever.”
James Hynes discusses the books he read when writing his latest novel, Next: "I wanted to see if I could write a day-in-the-life novel, a narrative that would be set in a single day, or part of one, and by working backwards and forwards through flashbacks, encompass the entire life of a single character."
"The day you follow me to that mound of oyster shells on the beach is the day I realize muscle and bone have been at war for a long, long time." The Saturday Rumpus essay by Ashley Inguanta is tender and poetic. Some past iterations are also well-worth a revisit.
In anticipation of their 30 Below Story Contest, Narrative Magazine is highlighting work published on their site by writers under 30. Today my story, "I am the Lion Now," has been added to the list.
Congratulations to Millions contributor Lydia Kiesling whose thoughtful essay "Proust’s Arabesk: The Museum of Innocence by Orhan Pamuk" was named a finalist for the 3quarksdaily Arts & Literature Prize. And thanks to all the Millions readers who voted for our essays in the first round of the contest.
"No matter who we’re horny to blame for our great national nightmare today, the Washington Post is offering a solution." The Awl reports that The Washington Post is offering free digital subscriptions for students, the military, and government employers.