The images in Yuji Hamada’s “Primal Mountain” series for Granta’s “Japan” issue have been made available online, and they’re gorgeous. (The rest of the magazine is well worth your time as well.)
“The image of a mountain in the viewer’s mind.”
A Writer Who Needed “The Talk”
The Journals and Diaries of E.M. Forster is now on sale, and among other things, it reveals that its author, who appeared to feel queasy about sex in general, didn’t know exactly how “male and female joined” until he was thirty years old.
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Writing as Profession
Writers can’t create original work without financial stability and a minimum amount of rest, writes Maggie Doherty in Dissent. Pair with Kate Angus’s Millions essay on making a living as a poet.
The Klingon Word for Spoon is “baghneQ”
Lapham’s Quarterly has a new podcast about “the weird world of invented languages” such as Klingon, Dothraki, and Esperanto.
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Vermeer was a Hacker
"The way Vermeer painted this wall is consistent with a photograph. It is not consistent with human vision." In a fascinating new documentary by Penn and Teller, a digital-graphics artist spent five years building a lens, a room, and a harpsichord to figure out how.
When James met Wilde
Oscar Wilde: a “fatuous fool,” a “tenth-rate cad,” and an “unclean beast?” According to Henry James, all of the above.
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A Death Certificate and Memorial Combined
"A 'Complete Poems' is a death certificate and memorial combined. After the Selected and the Collected, the Complete marks the poet's official demise and at the same time erects a carven monument designed to outlast the ages." At The Guardian John Banville reviews The Complete Poems of Philip Larkin which will be out on these shores in March.
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