“No novel gets uniformly enthusiastic reviews, but the polarized responses to The Goldfinch lead to the long-debated questions: What makes a work literature, and who gets to decide?” Vanity Fair has big questions and lots of opinions about Donna Tartt‘s latest novel, which we’ve covered pretty extensively ourselves.
“What do I want to say with this new language that I can’t say in my native language—or any other language that currently exists?” From The Lord of the Rings to A Game of Thrones, Josephine Livingstone explores the history of invented languages, over at The New Republic.
We all have a fantasy literary dinner party guest list, but Kathryn Ionata gives us six characters to never invite at The Toast. Unsurprisingly, Nine Stories's Seymour Glass is on her list. "When asked if he cares to sit at the table, he says he is seriously considering it."
A new kind of book review: 5 artists interpret and critique literature through works of visual art.
“All poems of public grief are private poems first,” writes Mark Doty in his evaluation of Wisława Szymborska’s poem, “Photograph from September 11th.” Indeed, what Doty learned “over the course of those dozen years, was that the words one hammers out in private, in order to attempt some kind of sense, may end up being used by people in ways you could have never anticipated.”
Elvis Costello is calling the hefty price tag on his new box set "either a misprint or a satire" and advising fans to buy a Louis Armstrong box set or to wait until the discs included in his own box set are availble at a cheaper price "assuming that you have not already obtained them by more unconventional means."