“No novel gets uniformly enthusiastic reviews, but the polarized responses to The Goldfinch lead to the long-debated questions: What makes a work literature, and who gets to decide?” Vanity Fair has big questions and lots of opinions about Donna Tartt‘s latest novel, which we’ve covered pretty extensively ourselves.
The Great Goldfinch Debate
Good Writer or Bad Dad?
Does being a writer make you a bad father? Matthew Norman ponders his fear at Salon. “As a fiction writer, I’m perpetually in some state of preoccupation. At any given moment, I’m suffering over people who don’t exist—who will never exist.” Maybe he should try Polly Rosenwaike’s tactic and read fiction about the opposite parent.
From Under a Heavy Plinth
“The story that Lee’s book tells (or tries to tell, because much evidence has been obscured or lost) is not about patience on a monument but about talent buried under a heavy plinth, and discovered only just in time—the late achievement less a measured distillation than a lifesaving decoction.” James Wood reviews Hermione Lee‘s new biography of novelist Penelope Fitzgerald for The New Yorker. Pair with Niamh Ni Mhaoileoin‘s Millions essay on the new age of biography.
Wild night
On Monday night Cheryl Strayed, also loved as The Rumpus‘s “Dear Sugar” advice columnist, was celebrated at Housing Works Bookstore. Tiffany Gibert gives us the scoop in the latest installment of #LitBeat.
On Broken and Repaired Circuits
Another year, another year of Full Stop Features, and Peter Nowogrodzki is starting things off with a bang. In a thorough and engaging review, Nowogrodzki dives into Tan Lin’s miniature book The Patio and the Index.
One comment: