“No novel gets uniformly enthusiastic reviews, but the polarized responses to The Goldfinch lead to the long-debated questions: What makes a work literature, and who gets to decide?” Vanity Fair has big questions and lots of opinions about Donna Tartt‘s latest novel, which we’ve covered pretty extensively ourselves.
The Great Goldfinch Debate
Speaking in Tongues
“What do I want to say with this new language that I can’t say in my native language—or any other language that currently exists?” From The Lord of the Rings to A Game of Thrones, Josephine Livingstone explores the history of invented languages, over at The New Republic.
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Not Trolling Can’t Get Mad
The Digital Reader has done us all a solid on this summer Monday and put together a list of five blogs featuring bad book covers. Now That I'm a Ghost I'm Gay, indeed.
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The Worst Dinner Party
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A New Kind of Book Review
A new kind of book review: 5 artists interpret and critique literature through works of visual art.
“describe this flight / and not add a last line.”
“All poems of public grief are private poems first,” writes Mark Doty in his evaluation of Wisława Szymborska’s poem, “Photograph from September 11th.” Indeed, what Doty learned “over the course of those dozen years, was that the words one hammers out in private, in order to attempt some kind of sense, may end up being used by people in ways you could have never anticipated.”
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Steal This Record
Elvis Costello is calling the hefty price tag on his new box set "either a misprint or a satire" and advising fans to buy a Louis Armstrong box set or to wait until the discs included in his own box set are availble at a cheaper price "assuming that you have not already obtained them by more unconventional means."
“Adams”
From The Rumpus, a new short (short) story by George Saunders, excerpted from Life is Short - Art is Shorter: In Praise of Brevity, with an introduction by David Shields and Elizabeth Cooperman.
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