A translation guide to writing workshops that we’re definitely printing out and bringing along to our next one. “Sometimes when people say ‘show, don’t tell,’ what they mean is that they find the characters sympathetic, the story is moving forward, and they even like the conflict, but they just don’t like the way you wrote it. What they’d really like to do is steal the idea and write it themselves, because honestly, they would do a much better job.”
In the latest entry in By Heart, the Atlantic series we’ve written about a few times, Ben Marcus (who recently came out with a new book) reflects on the true meaning of the word “Kafkaesque.” Marcus interprets Kafka’s “A Message from the Emperor” as a parable about the difficulty of real human connection. (Related: there’s now a Kafka video game.)
Calling a book “the spiritual prequel to The Road” is a great way to signal its command of dystopian tropes. It’s what Gabe Durham wrote about Maxwell Neely-Cohen’s recent YA novel Echo of the Boom. At The Rumpus, Durham interviews Neely-Cohen, who describes how he tried to give a metafictional bent to the novel. Related: we asked high school students to pick their favorite YA books of 2013.
The American Literary Translators Association has announced this year’s recipients of the National Translation Award. Prose honors went to William M. Hutchins’s translation from the Arabic of Ibrahim al-Koni’s The New Waw: Saharan Oasis, and the poetry winner was Pierre Joris’s translation from the German of Paul Celan’s Collected Later Poetry.
Out this week: The Season of Migration by Nellie Hermann; Uncle Janice by Matt Burgess; The Secret Wisdom of the Earth by Christopher Scotton; Driving the King by Ravi Howard; Against the Country by Ben Metcalf; God Loves Haiti by Dimitry Elias Léger; A Pleasure and a Calling by Phil Hogan; Wildalone by Krassi Zourkova; and Almost Famous Women by Year in Reading alum Megan Mayhew Bergman. For more on these and other new titles, check out our Great 2015 Book Preview.
The folks at Harper’s Bazaar (not Harper’s Magazine) are launching a new short story competition, and the grand prize is wild: an all-expenses-paid weeklong stay on a private Scottish island, publication in the May 2014 issue of the magazine and a first-edition book from the Asprey’s Fine and Rare Books Department, worth up to £3,000. (And yes, that’s pounds, not dollars.)
Out this week: The Mothers by Brit Bennett; The Red Car by Marcy Dermansky; Him, Me, Muhammad Ali by Randa Jarrar; Future Sex by Emily Witt; Hungry Heart by Jennifer Weiner; Upstream by Mary Oliver; and Hag-Seed by Margaret Atwood. For more on these and other new titles, go read our Great Second-Half 2016 Book Preview.
Among the better Tumblr memes is Read to Me Tuesday, which is exactly what it sounds like: people choose a passage from a book, call in and read the passage over the phone. The resulting posts are compiled under the hashtag #RTMT and often re-blogged by rtmt.tumblr.com. As we see increased interest in social reading experiments like bookglutton.com, RTMT shows how the web might make social connection through reading aloud a possibility for the first time since, well, story time. Plus it’s really, really fun.