This Sunday, the Netherlands will take on Mexico in the second stage of the 2014 World Cup. To explain what makes the Dutchmen so formidable on the soccer pitch, Rowan Ricardo Phillips takes a look at the many “Shades of Oranje.”
Edvard Munch’s The Scream recently garnered a record breaking $119.9 million at Sotheby’s in New York. Despite the “tasty narrative potential” of the iconic artwork, the Pulitizer Prize winning art critic Holland Cotter thinks that the painting’s new owner spent their vast sum of money unwisely.
Doors of Perception author Aldous Huxley requested a dose of LSD as he succumbed to laryngeal cancer in 1963. Three weeks later, Huxley’s widow, Laura Archera, wrote a letter describing the experience (“the most beautiful death”) to her brother-in-law. Today the prescription of psychedelic drugs to terminally ill patients is less uncommon than you might expect.
We’ve been discussing the changing nature of the English language a lot here this week (from the rise of public English to the acceptance of “like”), but if there is one thing that’s consistent in language, it’s the word “huh.” Linguists have studied 31 languages that all contain the interjection, making it one of the first universal words.
“I’ve got to be writing. I have a few ways to make sure I can carve out time. Part one: Neglect everything else. Part two: Get disciplined.” David Mitchell writes about writing and the poetry of James Wright for The Atlantic. Pair with his story in tweets, “The Right Sort,” and Brian Ted Jones‘s Millions review of The Bone Clocks.