The political unrest in Moscow is significant and worth covering, but it’s important to verify the facts. Over the weekend, a picture of an enormous crowd went viral, and it was billed as an image of anti-Putin demonstrations. This is not true. The image is actually from a 1991 rally in which protesters called for Mikhail Gorbachev’s resignation. It even appears in this Atlantic article from December, 2011.
“I do not find it unusual that many writers I know acquire vintage clothes, buy old homes, and rescue animals. For one, we don’t have Wall Street salaries, and secondly, we’re suckers for backstory, particularly that which is left to the imagination. Our job, after all, is to make up lives, engage in epic games of pretend.” Megan Mayhew Bergman writes for Ploughshares about collecting cast-off objects, “the chaos of memories,” and becoming a writer. Pair with David L. Ulin‘s reflection on Bergman’s essay and the way we think about memory, written for the LA Times.
What would the child of The Big Lebowski characters The Dude (Jeff Bridges) and Walter Sobchak (John Goodman) look like? Maybe like Lt. Col. Django (Bridges, again), one of the characters in Grant Heslov‘s The Men Who Stare at Goats, set to release in November, a comedy about the U.S. military’s attempt to train psychic soldiers (based on the book by Jon Ronson).
“The idea was that whatever I felt or did resonated in life, caused people pain or happiness. This gave me a feeling of huge responsibility even as a child – to the extent that sometimes I had to block my own feelings or wishes. When I started writing fiction, suddenly I was allowed to do what I wanted.” Talking with Etgar Keret.