"Due to its adult subject matter, it was the first animated film to receive an “X” rating (or "suitable for those aged 16 and over") in the UK." Open Culture features a creepily fantastic animated adaptation of Edgar Allan Poe's classic story "The Tell Tale Heart," noting that the nearly 8-minute short was voted the 24th greatest animation of all time in a survey of animation professionals. And Poe's macabre creation made our own list, from earlier this year, of literature's greatest walls.
Book Cover Roundup, Item #1: Each year The Millions publishes a high stakes face-off between the UK and US covers of books featured in The Morning News' Tournament of Books (2014, 2013, 2012). Now, for Sarah Hemfrey's research on book covers in the publishing industry, it's your turn to be the judge. Item #2: if Harry Potter is more your style, that whole series is getting new cover designs, too.
At Bookforum, Gee Henry talks with New Yorker staff writer Hilton Als, whose new collection of essays, White Girls, tackles subjects including Eminem, Truman Capote and Gone with the Wind. The writer also delves into his affection for André Leon Talley.
Ayobami Adebayo is interviewed by Abigail Bereola for Hazlitt and it's fantastic. They discuss proverbs, romantic love, sickle cell anemia and writing your first book. "At the risk of sounding very narcissistic, I’m going to say I write for myself ultimately. And maybe my sister. I think that when I’m working, it’s very difficult for me to think about an audience, perhaps because sometimes it gets a bit overwhelming. I’m trying to figure out so many things that I really don’t start thinking about the idea that other people might read this thing until, 'Oh my God, it’s publication day' and I have a panic attack like 'Oh my God, what have I done?' I think the awareness of an audience is something I’m just coming into because this is a first book."
As Amy Bloom remembers it, the inspiration for her most recent novel came from two sources: the mythos of Old Hollywood and the criminal history of her own family. In The Guardian, she recounts the genesis of Lucky Us, with brief descriptions of her family’s rap sheet.