Half-meme, half-myth, ‘Slender Man’ came to us from the same internet that brought LOLcat, doge, and Rule 34. After the surreal stabbing of a 12-year-old girl by two other children claiming they were acting on his behalf, this particular story has taken on a tragic resonance. In The Semiotic Review, Jeffrey Tolbert argues that Slender Man took hold because of the documentary nature of internet ‘evidence’. As one Something Awful blogger put it, “Even if we don’t really believe in [Slender Man], we are cutting him out and sewing him together. We’re stuffing him with nightmares and unspoken fears. And what happens when the pictures are no longer Photoshops?” Very meta–and very scary, all over again.
Going to SXSW this year? Be sure to check out the “Too Long, Didn’t Read” panel our own C. Max Magee is sharing with Bygone Bureau editor Kevin Nguyen and The Morning News co-founder Andrew Womack. The Saturday panel will focus on the “renaissance of long-form writing,” and location details can be found here.
New Yorkers: the Brooklyn Book Festival kicks off tomorrow evening, and you can get things started off right with this party hosted by Tumblr, Electric Literature, The LA Review of Books, and The New Inquiry. The following night, however, is when you should carve out some time to see The Greatest 3-Minute Book Stories — which will feature readings by Maris Kreizman (Slaughterhouse 90210), Alexander Chee (Edinburgh), Dan Wilbur (Better Book Titles), Christopher Beha (On Making Sentences Do Something), and yours truly (these Curiosities) among others.
“Whenever I tried to invent a character or a situation, I felt a stab of guilt. I could hear my teacher’s quavering voice saying, Write what you know! Why had she insisted on this so vociferously?” Writing class mantras are easy to impart but they are also easily misinterpreted. A.X. Ahmad, author of The Last Taxi Ride and The Caretaker, learns this truth the hard way as he tries to become a writer following a personal upheaval. Pair with Ahmad’s Millions essay on “The Thriller, Reinvented.”