Today, stuff yourself on envy and/or nostalgia for the NYC literary life. First, whet your appetite on the New Yorker’s gorgeous illustrations of notable bookstores, including one “the size of a luxurious Park Avenue closet.” Continue to a responsible main course essay on Choire Sicha, The Awl, and the Brooklyn loft building where it was founded and resides: a place that is “pleasant” but “a little dumpy, too, because that’s sort of our MO.” For dessert, savor Erin Loeb’s personal essay on leaving New York, and finish with a fittingly varied cheese course of other writers also saying goodbye.
Most institutions that become an essential part of a local culture build up a collection of curios over the years. They collect as much evidence as they can of their proximity to major events. At the New York Public Library, for example, you can find a letter opener whose handle is made from the paw of Charles Dickens’s dead cat. (h/t The Paris Review Daily)
“America has always been able to countenance beggars, short-con men, and nine-to-fivers who just can’t get ahead, but we’ve never known what to do with the type of person who could have been really big but chose not to make the concessions required.” The Believer takes a look at the paradox of Nelson Algren.
Amazon, which recently entered the world of original broadcast content, has subverted television’s traditional “pilot season” by forgoing a staggered release schedule in favor of plunking all fourteen of its pilots onto its website at once. The idea is for audiences to watch the eight comedies and six animated shows for free, and then help the company decide which options are the most promising for long term development. Just a tip: Alpha House features appearances from John Goodman and Bill Murray.
From Letters of Note, the correspondence between Fitzgerald and his editor upon the former’s completion of The Great Gatsby (including Fitzgerald’s suggestion for an alternative title: Gold-hatted Gatsby). In response to the many endings of A Farewell to Arms, Slate cooks up 48 canned, alternative endings for Fitzgerald’s masterpiece.
“The fact that Harry Potter midnight release parties were the event to go to as a teen was completely unprecedented in geek culture. You can draw a dotted line to the mainstreaming of geek culture through Harry Potter.” Twenty years after the publication of Harry Potter and the Sorcerer’s Stone, The Huffington Post asks authors, editors, and publishers how Rowling’s juggernaut changed reading and the world of Young Adult fiction. Then see this counterpoint from our own pages last year: There Is No Such Thing as the Young Adult Novel.