Today, stuff yourself on envy and/or nostalgia for the NYC literary life. First, whet your appetite on the New Yorker’s gorgeous illustrations of notable bookstores, including one “the size of a luxurious Park Avenue closet.” Continue to a responsible main course essay on Choire Sicha, The Awl, and the Brooklyn loft building where it was founded and resides: a place that is “pleasant” but “a little dumpy, too, because that’s sort of our MO.” For dessert, savor Erin Loeb’s personal essay on leaving New York, and finish with a fittingly varied cheese course of other writers also saying goodbye.
Read/Write NY
Thee, Compared
Recommended Reading: Adam Bertocci presents alternate forms for Shakespeare’s 18th sonnet.
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Gah!
Despite your lifelong aversion to robots and crash-test dummies, the Uncanny Valley might not actually be real. At Boing Boing, Maggie Koerth-Baker looks at the evidence that unsettling dolls are just that, unsettling.
Agreeable Lives
Whether or not you knew that Rose Williams, sister of Tennessee, inspired the character of Laura Wingfield in The Glass Menagerie, you’ll probably appreciate this Paris Review elegy, which goes through Rose’s short life and the effect it had on her brother.
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The Deep Also Impacts
Those of you out there who grew up in the 90s will remember that every disaster movie brought a slew of novelizations into bookstores. Even if the movie in question did badly, you knew that at least two adaptations of the script would pop up on shelves. At Hazlitt, Will Sloan wonders if the age of the novelization is over.
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It’s all about the characters
In the world of selling books, it’s not all about the sentences. At Ploughshares, agent Eric Nelson argues: A fresh plot matters and unusual characters do, too. “The most interesting books have characters who do the opposite of what we’d do… Imagine Hamlet, if Hamlet took decisive action. Horror movies wouldn’t exist at all without the idiot who always suggests they split up.”
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Remembering Gregory Rabassa
Gregory Rabassa, literary translator and professor at Queens College, died this past week. Rabassa helped introduce Gabriel García Márquez’s One Hundred Years of Solitude and Julio Cortázar’s Hopscotch, among others, to English-language readers. He was 94 years old.
Twi-Hard
At The Daily Beast, a bounty of Twilight-iana, including an interview with New Moon director Chris Weitz (aka the man who ruined The Golden Compass) and pictures of Kristen Stewart, Robert Pattinson et al before Twilight.
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Last words
Japanese director Satoshi Kon died last Tuesday at the age of 46. His last words, a rambling text that his family uploaded to the Internet following his death, have just been translated to English: “Everyone, thank you for all the truly great memories. I loved the world I lived in.”
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