Next year, Raymond Chandler will receive a star on the Hollywood Walk of Fame. The award will be in recognition of The Big Sleep author’s work as a screenwriter. Other inductees in Chandler’s class will include Will Ferrell, Daniel Radcliffe, and Julianna Marguilies.
Sara Majka’s debut collection Cities I’ve Never Lived In is forthcoming from Graywolf Press. At Longreads, check out one of her short stories from the collection on working in soup kitchens across the country. Pair with our celebration of Short Story Week for recommendations, reviews, and more.
Literary critic Amitava Kumar has written a personal essay for the Chronicle on his experience reading from Salman Rushdie’s The Satanic Verses at the Jaipur Literary Festival in India, where the work has banned for 23 years. Read The Millions coverage of the festival here.
In 1977-1978, a public access TV show called Public Access Poetry featured leading poets from across the country (Ted Berrigan, Ron Padgett, Eileen Myles, John Yau, Brad Gooch). Thirty-one episodes are now online, but the Poetry Project at St. Mark’s is seeking funding to post the remaining fifteen reels.
The book cover is in decline, Tim Kreider writes. “It seems as if sixty-five per cent of all novels’ jackets feature an item of female apparel and/or part of the female anatomy and the name of some foodstuff in the title—the book-cover equivalent of the generic tough-guy-with-gun movie poster with title like ‘2 HARD & 2 FAST.'” We judge books by their covers, too.
“Emily Brontë teaches us that fiction is not defined by what an author has done, but what an author has felt. To write is often to observe, not necessarily to experience. It is possible to be strong, independent, and still be at home; there is nothing limiting or weak about the ‘domestic’ life. Daily life is not to be avoided—in fact, it can be our most fruitful source of truth.” These and other helpful life lessons from the Brontë sisters over at The Daily Beast. How did the sisters even get their start as writers, anyway?
In the annals of Southern literature, Elizabeth Spencer isn’t as well-known as Faulkner or Flannery O’Connor, but she is, Wilton Barnhardt writes, “one of America’s best short-story writers.” The 92-year-old author’s new collection marks “65 years and counting of superb writing,” he argues.