“Quite possibly I’m a narrower, nastier and less morally responsible writer now than I was the day before my son was born. I certainly hope so.” We know Father’s Day was over a week ago, but here’s a belated link to a refreshingly cliché-free New York Times Bookends piece on parenting and writing, featuring James Parker and Mohsin Hamid.
“By now, you are probably asking yourself, Did these two ever talk about anything serious? Of course, we did. We talked about how writing a poem is no different from taking out a frying pan and concocting a dish out of the ingredients available in the house, how in poetry, as in cooking, it’s all a matter of subtle little touches that come from long experience or are the result of sudden inspiration.” Charles Simic writes movingly about his friend, the late poet Mark Strand, and their various schemes, from buying palazzos to founding a gastronomic poetry movement, for The New York Review of Books.
Last year, I pointed readers to Numero Cinq, a new Canadian lit mag with a notably memorable tagline. In the latest issue, which is split into seventeen parts, Benjamin Woodard talks with Lydia Davis about her Flaubert translation, her new story collection and the art of writing while traveling. (h/t The Rumpus)
“As time passed, I realized the Philip Roth I’d known before the two documentaries we ended up doing was in the process of transformation. The Roth I’d known for many years was an obsessively committed writer who, in the terrifying limbo between one book and another, could fall victim to a storm of depression or be spent to the point of looking as if his blood had been drained from his veins… This Philip Roth seemed to be discovering new, unexpected pleasures in life, like spending time in bed reading in the morning or inviting friends to his home to share with him the meals prepared each night by his newly hired, young and lovely cook.” Livia Manera Sambuy writes about her friendship with Philip Roth for The Believer. Pair with Gabriel Roth‘s recent guide to “everything you need to know” about the elder Roth’s oeuvre.