“Quite possibly I’m a narrower, nastier and less morally responsible writer now than I was the day before my son was born. I certainly hope so.” We know Father’s Day was over a week ago, but here’s a belated link to a refreshingly cliché-free New York Times Bookends piece on parenting and writing, featuring James Parker and Mohsin Hamid.
Whoever decided to sign Noah Baumbach to adapt Claire Messud‘s The Emperor’s Children for the screen has a good feel for the material (Keira Knightley and Eric Bana are also attached). One kind of has to wonder about Richard Gere, though…the Murray Thwaite role is clearly destined for Brian Cox, or vice versa.
At The Wilmington Star News, a round-up of the news coverage of the suicide of The Virginia Quarterly Review‘s managing editor, Kevin Morrissey, and the accusations that Morrissey’s boss, Ted Genoways, the wunderkind editor-in-chief of VQR, may have played a role in the suicide. In the wake of this sad controversy, the University of Virginia has shut down the 85-year-old journal, pending an internal investigation.
The Metropolitan Museum of Art has just released almost 400,000 high-resolution digital images of its collections. Among them are thousands of illustrations from bygone days when “picture books” were not for children alone. Pair with Buzz Poole‘s reviews of contemporary works of visual literature in The Millions archives, from hand-drawn self-help quotes to politically-charged images of transit in Tehran.
“One of the things I like about my job is that it draws on the entire person: not just your knowledge of grammar and punctuation and usage and foreign languages and literature but also your experience of travel, gardening, shipping, singing, plumbing, Catholicism, Midwesternism, mozzarella, the A train, New Jersey. And in turn it feeds you more experience. The popular image of the copy editor is of someone who favors rigid consistency. I don’t usually think of myself that way. But, when pressed, I do find I have strong views about commas.” Mary Norris‘s “Confessions of a Comma Queen,” from the New Yorker.