One Siberian city is offering free subway rides to passengers who can recite “at least two verses from any poem by Alexander Pushkin.” The obvious corollary would be NJ Transit providing free service to passengers capable of singing “Born to Run” in its entirety.
October kicks off with a mega-dose of new fiction: Ancient Light by John Banville, The Round House by Louise Erdrich, It’s Fine By Me by Per Petterson, The Heart Broke In by James Meek, In Sunlight and in Shadow by Mark Helprin, Live by Night by Dennis Lehane, and Have You Seen Marie? by Sandra Cisneros. And that doesn’t even include debuts Mr. Penumbra’s 24-Hour Bookstore by Robin Sloan, That’s Not a Feeling by Dan Josefson, and Safe As Houses by Marie-Helene Bertino. And there’s more: graphic novel master Chris Ware’s Building Stories, The Paris Review’s collection Object Lessons (we interviewed one of the Steins behind the book) and this year’s Best American Short Stories collection. Finally, Kingsley Amis’s Lucky Jim is out in a new NYRB Classics edition with an introduction by Keith Gessen.
Amidst all the controversy surrounding Go Set a Watchman, one question that gets left out is how realistic, exactly, the book is in its depiction of its setting. At Salon, Scott Timberg sits down with Professor Angela Thorburg, who makes a case that regardless of its literary qualities, Watchman is “a very accurate perspective of what’s going on here in the South.”