$pending the $tephen King Money

I’ve got another post up about Nadeem Aslam’s Maps for Lost Lovers at the LBC Blog. I’ve been going back and forth with Sam (of Golden Rule Jones), so check out his posts, too.Calvin Trillin talks turducken and other things Cajun in the most recent issue of National Geographic. The piece is typical Trillin, funny and featuring mouth-watering descriptions of various regional delicacies. (Much like the articles collected in a favorite book of mine, Trillin’s Feeding a Yen)Jim Crace discusses his Guardian column, The Digested Read, “The idea of rewriting a book in the style of the author in just 500 or so words is a gift to any satirist, and it remains the only outlet in the print media where publishers’ hype always gets treated with the irreverence it deserves.” A collection of the columns is out in EnglandThe CS Monitor takes a look at the self-publishing craze: “IUniverse, which prints several thousand books annually, reports submissions are up 17 percent in the first six months of this year.”A couple of new McSweeney’s offerings that you may or may not have seen already. Noisy Outlaws, Unfriendly Blobs, and Some Other Things… is anthology for young adults, edited by Lemony Snicket and with stories by Nick Hornby, John Scieszka and Neil Gaiman, among others. Meanwhile Issue #17 of their Quarterly Concern is also out. According to Amazon: “Issue 17 is not an ordinary issue of McSweeney’s. It is, however, an ordinary bundle of mail, stacked and rubber-banded, containing the usual items: a recent issue of Yeti Researcher, a sausage-basket catalog, a flyer for slashed prices on multi-user garments, a couple letters… the usual. Also: the debut of a DVD quarterly, featuring never-before-seen work by Spike Jonze and David O. Russell. Also: stories.”

Matthew Salesses talks about moral fiction and how to address prejudice in writing at Electric Lit. A piece of his essay: “The writing of fiction cannot treat marginalized characters as vessels, cannot let the plot play out the racism of under-enlightened protagonists. Perhaps the ultimate conclusion is that one cannot write without prejudice unless one understands that one has prejudice.” Pair with his recent essay at The Millions on plot and the inciting incident.

Year in Reading alumnus Jonathan Safran Foer and Oscar-winning actress Natalie Portman have been exchanging emails for over a decade. Over at The New York Times Magazine, they share their recent correspondence on how things have changed since the beginning of their friendship.