What do you do when Stephen King uses the same title on one of his books as you used on yours (which came out earlier)? You reap the rewards of mistaken Amazon purchases, and you document the spoils of those royalty checks.
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Debt and David Graeber
Anthropologist and Melville House author David Graeber‘s Debt: The First 5,000 Years should be required reading for anyone hoping to understand economic trends. The author’s book is so great and topical that it’s earned a profile in Bloomberg BusinessWeek.
No Matter How Small
Over at The Atlantic, Lydia Millet argues for the power and legitimacy of The Lorax’s moral message. Millet believes that the heavy-handedness of activist-minded fiction like The Lorax is powerful partly due to “its shamelessness. It pulls no punches; it wears its teacher heart on its sleeve.”
Tuesday New Release Day: Hunt; Gerrard; Molina; Osborne; Jacobson; Greer
Out this week: The Dark Dark by Samantha Hunt; The Epiphany Machine by David Burr Gerrard; Like A Fading Shadow by Antonio Muñoz Molina; Beautiful Animals by Lawrence Osborne; The Dog’s Last Walk by Howard Jacobson; and Less by Andrew Sean Greer. For more on these and other new titles, go read our just-published book preview.
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Movie Poster Marketing Philosophy
Have you ever wondered why so many movie posters employ the “tilting horizon” effect? One marketer is here to explain why. Now, if only someone could explain why no movie posters are original anymore…
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Ghostwriter
The Swiss foundation Anne Frank Fonds is attempting to extend the copyright of Anne Frank’s The Diary of a Young Girl by crediting Anne’s father as a co-author — even though Otto Frank writes in the prologue to the first edition that the book mostly contains Anne’s words.
Snapchats of a Native Son
“That has always been the unsettling irony of the carefree aesthetic. Rhetorically, it denies the full unpredictability of black experiences in America. It is a stereotype, albeit one intended for benevolence and created, perhaps lovingly, by black people.” Doreen St. Félix writes about the roots and ramifications of the “Carefree Black Boy” phenomenon.