Recommended reading: “One of the drillers fell to his knees. Some sobbed, in the way men do when their mothers die, or when their sons are born.” An exceptional and deeply moving long-form essay in the New Yorker recounting the 69 days spent underground by the famed ’33’ Chilean miners buried in the 2010 accident at Copiapó.
On the 33
Does this mean Will Ferrell will play Steve Eisman?
The man who directed such Will Ferrell vehicles as Anchorman, Talladega Nights, and Step Brothers is turning toward the world of finance for his next movie project. That’s right. Adam McKay is adapting Michael Lewis’s The Big Short for the big screen.
Scottish Book Sculptures
Someone’s been leaving book sculptures in Scottish libraries. They’re exquisite.
‘A Letter in Living Color’
Says the New York Times: “We recently received, in a tube sent by postal mail, something new in our experience: a 15-foot-long scroll to the editor.” (via @LettersOfNote)
Lights of Lit
Infographic of the Week: Check out these memorable lights in literature from Solar Centre to brighten your day.
Felt Time
“As phenomenological philosophy has determined, self-consciousness is not a mental state that is added on to our experience, or that is particular; rather, it is a feature inherent in all experience. My perception contains me.” Send your Sunday into an existential tailspin with German psychologist Marc Wittmann and his heady ideas about the notion of time and consciousness.
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Smash the Gears
As evidenced by the amazing quiz “Jonathan Franzen Gripe or YouTube Comment about Saggy Pants,” a perception exists that the widely acclaimed writer is allergic to new technology. At Slate, Benjamin Nugent argues that Franzen’s new book, The Karl Kraus Project, proves inadvertently that Franzen is less of a Luddite than we think.
The End of Wall Street
In New York, Gabriel Sherman checks in on Wall Street and finds that the big money culture may be gone for good. “There has been a growing recognition on Wall Street that the system that had provided those million-dollar bonuses was built on a highly unstable foundation.”
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His first step was to contact a real estate agent
In this week’s London Review of Books Elif Batuman has a great piece about Orhan Pamuk’s Museum of Innocence, both the book and the place. It would pair well with our own Lydia Kiesling’s award-winning essay on the book from 2010.
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