“I’m sure the ghost is fascinated by the N.Y.C. vs. M.F.A. debate, and would add that there’s a literary-world bias… toward writing done by the living.” The New Yorker interviews Rebecca Curtis about ghost stories and her latest piece of short fiction, “The Pink House.” For more about Curtis, check out our review of her debut collection Twenty Grand: And Other Tales of Love and Money.
N.Y.C. vs. M.F.A. vs. R.I.P.
On Tour
Noah Charney writes for The Atlantic in defense of book tours, which “mostly entail maneuvering to get on radio shows or TV programs, and less glamorous elements, like attending bookstore readings where hardly anyone shows up.”
●
●
Great Moments in Travel Writing
The Telegraph publishes a piece by Paul Theroux in connection with his new book about travel lit, The Tao of Travel. In the piece, Theroux recounts some of the great feats of the genre.
●
●
Shock and Auden
A lost journal of W. H. Auden, one of three that the poet is known to have kept, has recently been discovered.
Double Sided
Two ways of looking at a book: “Had I been still more articulate, I might have said that there’s a special readerly pleasure in approaching a book as you would a box. In its self-containment lies its ferocious magic; you can see everything it holds, and yet its meagre, often hackneyed contents have a way of engineering fresh, refined, resourceful patterns. And Emily might have replied that she comes to a book as to a keyhole: you observe some of the characters’ movements, you hear a little of their dialogue, but then they step outside your limited purview. They have a reality that outreaches the borders of the page.”
A Moveable Photo
What do you get if you combine Man Ray with some of the most celebrated artistic figures of 1920’s Paris such as Ernest Hemingway, Lee Miller, and Marcel Duchamp? The answer is: some predictably fantastic portraits. For more on Man Ray, here’s a moving essay on how his Hollywood Album redefined Liska Jacobs’ idea of a “life’s work.”
●
●
Wetlands
Recommended Reading: Blake Morrison on the literature of England’s flood-prone east coast.