“I’m sure the ghost is fascinated by the N.Y.C. vs. M.F.A. debate, and would add that there’s a literary-world bias… toward writing done by the living.” The New Yorker interviews Rebecca Curtis about ghost stories and her latest piece of short fiction, “The Pink House.” For more about Curtis, check out our review of her debut collection Twenty Grand: And Other Tales of Love and Money.
N.Y.C. vs. M.F.A. vs. R.I.P.
Am I Special?
“Perhaps I will just go underground and live a quiet life of desperation. I’ve heard mumblings about a place called ‘Social Media Manager.’ It seems like a nice place where all people my age go for a while. Just until things start to make sense again.” Nobody knows the throes of existential angst quite like a twenty-something. Here’s a plea for help from one such twenty-something over at McSweeney’s.
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Tuesday New Release Day: Ferrante; Clegg; Meno; Salesses; Jaffe; Franzen
Out this week: The Story of the Lost Child by Elena Ferrante; Did You Ever Have a Family by Bill Clegg; Marvel and a Wonder by Joe Meno; The Hundred Year Flood by Matthew Salesses (who recently wrote for us); Dryland by Sara Jaffe; and Purity by Jonathan Franzen (which we reviewed). For more on these and other new titles, check out our Great Second-Half 2015 Book Preview.
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James “Faulkner” Franco
James Franco isn’t done with William Faulkner’s oeuvre just yet. After screening his adaptation of As I Lay Dying (trailer here) at the Cannes Film Festival this year, Franco announced that he plans on bringing The Sound and the Fury to the big screen next.
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Sympathy for All
Back in April, our own Sonya Chung linked to an excerpt on Bloom of Viet Thanh Nguyen’s The Sympathizer, then featured on the cover of the Sunday Times Book Review. At Bookforum, Lisa Locascio reads the book, drawing comparisons to Chang-rae Lee’s Native Speaker and Hari Kunzru’s The Impressionist.
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Alone In the Most Beautiful Place
Recommended Reading: This essay from The Literary Hub on how Jean Rhys and her novel Wide Sargasso Sea extended the limits of a feminism which was rooted in the work of Charlotte Brontë.
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Mothers & Monsters
“All I know was that in Paris I felt haunted, like a double exposure photograph that shows a figure and then a milky specter behind. I felt stalked by a creature of my own making, a monster that was both my mother and myself.” Darcey Steinke writes about Paris, loss, and monsters in an essay for Granta.
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Responding to Sexual Violence
“Eventually, the judicial bureaucracy begins to seem almost as destructive as the rapist.” Domenica Ruta writes on Emily Winslow’s Jane Doe January and Joanna Connors’ I Will Find You, two books that probe our culture’s failure to address sexual violence. Pair with a piece on poetry as a response to sexual violence.