Is there an indie press that consistently punches up as high and as successfully as Two Dollar Radio? They’re the ones who unleashed The Orange Eats Creeps onto our shelves three years ago, and they followed it up shortly thereafter with the breakout work of Scott McClanahan. Now? Now they’re poised for a threepeat with Shane Jones’s Crystal Eaters, which has already earned its author interviews on Hobart and The Paris Review. (Bonus: TDR’s publisher on moving his outfit to Ohio.)
Turns out the Streisand effect applies to book sales. The Wall Street Journal reports that banning a book in China causes sales to increase both at home and abroad. “These days, smothering someone is as good as crowning that person,” the article quotes a Chinese reader as saying. You could also read Deanna Fei on being a Chinese-American writer in China.
If you’re wondering why you should read this new essay on Jack London, consider this sentence: “Born in 1876, the year of Little Bighorn and Custer’s Last Stand, the prolific writer would die in the year John T. Thompson invented the submachine gun.” In Smithsonian Magazine, Kenneth Brandt explores the brief life of the author.
“I suspect ‘chess rage’ and ‘road rage’ are neighboring neural impulses.” Tom Russell at Guernica Magazine has written a fascinating essay on a summer spent playing chess in Bryant Park and the unexpected artistic beauty of the game. Here’s a cursorily-related review of The Chess Machine, a book which features an unbeatable chess-playing automaton controlled by a dwarf.
Is it possible to read fiction by an actor without thinking of them as the character that made them famous? It’s a question many people asked when reading James Franco, and it’s a question they’re likely to ask again when reading One More Thing, a new book of short stories by The Office star B. J. Novak. At Open Letters Monthly, Justin Hickey reviews Novak’s collection.