Is there an indie press that consistently punches up as high and as successfully as Two Dollar Radio? They’re the ones who unleashed The Orange Eats Creeps onto our shelves three years ago, and they followed it up shortly thereafter with the breakout work of Scott McClanahan. Now? Now they’re poised for a threepeat with Shane Jones’s Crystal Eaters, which has already earned its author interviews on Hobart and The Paris Review. (Bonus: TDR’s publisher on moving his outfit to Ohio.)
“It is intended to attract candidates who otherwise would not have access to publishing, and to therefore increase the diversity and inclusivity of the industry.” Indie publisher Graywolf Press is offering a paid, 10-month internship “designed to support a person who is interested in learning more about the publishing industry through an introductory, hands-on experience.”
“And, it really means so much to us to watch our birds fly out of the high school nest and into an income bracket that could really benefit the Annual Fund this year. I mean, we have 85% of our goal, but as you know, that’s only a B. And we know that you are an A student.” Ah, what a heartwarming and totally genuine letter from my private, nonprofit high school congratulating me on my new job. Thanks, McSweeney’s.
Out this week: A House Without Windows by Nadia Hashimi; Divorce Is in the Air by Gonzalo Torné; The Gentleman by Forrest Leo; Addlands by Tom Bullough; and Liberty Street by Dianne Warren. For more on these and other new titles, go read our Great Second-Half Book Preview.
“When I ask him why he likes something, it’s a perverse exercise less to gain new insight than to trick him into admitting to his personality.” For Longreads, Dead Girls writer Alice Bolin tries to understand her father through the (sometimes misogynistic) mystery novels he reads and loves. (Read our own Janet Potter on Stieg Larsson’s Millennium trilogy.)