The New York Times interviewed Colum McCann about what and who he’s reading, and if you’re looking for a book recommendation this piece is full of them. For more from McCann, be sure to check out his Year in Reading, our review of his novel TransAtlantic, and this reading of his soccer poem.
McCann: Reading, Writing and Soccer
Tuesday New Release Day: Pollan, Sedaris, Stelter, Currey, Thompson, Stothard, Rutherfurd, Wecker, Riley
The headliners this week are on the non-fiction side: Michael Pollan’s Cooked and Let’s Explore Diabetes with Owls by David Sedaris. Also new in non-fiction: Top of the Morning: Inside the Cutthroat World of Morning TV by the Times’ Brian Stelter and Daily Rituals: How Artists Work by Mason Currey. In fiction: The Humanity Project by Jean Thompson, The Pink Hotel by Anna Stothard, Paris by Edward Rutherfurd, The Golem and the Jinni by Helene Wecker, and The Enchanted Life of Adam Hope by Rhonda Riley.
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Invisible Together
“It was a remarkable scene, to witness young people collectively shatter one another’s sense of social isolation.” Clint Smith for The New Yorker‘s Page-Turner blog about teaching Invisible Man to a high school class full of undocumented immigrants.
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This Old House
It’s been another long week. Lighten the crush of news with The Guardian‘s literary quiz, in which you match the house to the writer/book it inspired. And once you’ve gotten your score, perhaps take a vicarious tour of the House of Brontë?
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Writing Every Day
Do you want to nurture your writing? Sign up for the Skillshare online class Creative Writing for All: 10 Days to a Daily Habit, taught by Friendship author and Year in Reading alumna Emily Gould and featuring a 10-day creative writing challenge. Also: enrollment is free through April 12.
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Audiobook Reviews by Kyle Minor
Cool Move Alert: Kyle Minor is reviewing audiobooks for Salon. His first piece is on Dave Eggers’ Hologram for the King, as read by Dion Graham (The Wire, Law and Order).
“Crouching alone near some tiny ecosystem”
Recommended Reading: Laura Miller on Jeff VanderMeer’s Annihilation.
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Not for Kids
What makes an idea too odd to sustain a children’s book? The answer: characteristics that make it, as Steven Heller explains, “so high concept or clever [it’s] deemed difficult for a child to enjoy.”