In book-to-film news, Lupita Nyong’o has signed on to produce and star in an adaptation of Chimamanda Ngozi Adichie‘s novel Americanah, and we couldn’t be more excited. For more from Adichie, be sure to check out her “Year in Reading” piece for The Millions.
What does Jonathan Franzen think of the cover for Freedom? What about Charlotte Strick, the book's designer? Or the photographers that took photos of those trees, of that blue warbler? Talking Covers has collected their thoughts, and plays host to other cover-related conversations besides. Check out this one The Flame Alphabet.
The Amherst College Archives have discovered what could be the second photograph in existence of Emily Dickinson.
"How are their vacations? Do they inspire envy in a way that’s beguiling, or merely crass? Are they eating in the right places?" In the past year, 30 billion photographs were uploaded to Instagram; 80 million go up every day. On the iPhone as camera lucida. Related: the pornification of food.
Paris Review editor Lorin Stein sat down alongside James Salter, Mona Simpson, and John Jeremiah Sullivan to discuss the magazine’s sixtieth anniversary with Charlie Rose. At one point Stein admits that, “If you wrote about sex the way Jim [Salter] writes about sex ... in nonfiction, you would be a sociopath.” (Bonus: Stein writes about John O’Hara for The New Yorker.)
Cage the Elephant is considered one of the best young indie rock acts today, but the band got its start in the burgeoning music scene in Bowling Green, Kentucky. Sometime Millions contributor Craig Fehrman wrote a Kindle Single on Cage the Elephant and its influential hometown, Home Grown: Cage the Elephant and the Making of a Modern Music Scene. You can read his past Millions essays on the history of literary Time covers, Lewis Hyde's understanding of intellectual property, and an ethnography of readers at Borders.