Pulitzer winner Tony Horwitz describes – in incredibly depressing fashion – his experience publishing Boom, a digital short representing his first foray into “the brave new world” of digital publishing. Two takeaways for aspiring writers that are not explicitly mentioned, however: don’t write without a contract, and be sure to use an agent from the get-go.
The Ripped Bodice (the only bookstore in the United States dedicated solely to romance books) released a report looking at the state of diversity in 2016 romance novels. Last year there were only 7.8 published romance novels by writers of color for every 100 books from 20 major romance publishing companies. "Of particular concern is the suggestion, as revealed by the study, that publishers are not reflecting their readership base with any kind of parity. According to Pew Research, black women with college degrees are more likely to read a book than any other group. Since romance readers are approximately 84 percent female, this suggests there is a large swath of the population who don’t see themselves represented in authors or protagonists." Entertainment Weekly highlights some major takeaways from the survey, read the rest of the appalling stats and then go support romance writers of color.
As a child, Xiaolu Guo hunted birds and toads to survive. Now, as a writer in Britain, she's written a memoir about her difficult childhood, which you can read more about in this review in The New Statesman. Sample quote: "Perhaps it is no coincidence that the reason that Guo gives for deciding to write in English is to be free of Chinese government censorship, a process that she describes as the wearing down of a rock’s sharp edges to a smooth pebble."
Author Terry Pratchett's archives have been destroyed by steamroller, according to The New York Times. The hard drive containing all of his unpublished work was, per his wishes, run over by a close friend. We ran this remembrance on the occasion of his passing two years ago.
“So much of the way books get classified has to do with marketing decisions. I think it’s more useful to think of literary books and sci-fi/fantasy books as existing on a continuum. To oppose them, to suggest that one category excludes the other, always feels bogus to me.” Talking with Karen Russell.