Pulitzer winner Tony Horwitz describes – in incredibly depressing fashion – his experience publishing Boom, a digital short representing his first foray into “the brave new world” of digital publishing. Two takeaways for aspiring writers that are not explicitly mentioned, however: don’t write without a contract, and be sure to use an agent from the get-go.
VIDA, an organization that promotes gender parity in the literary arts, has tallied up the 2011 bylines and book reviews from some of the bigger magazines . Granta was the only publication to achieve parity, but they did have an issue devoted entirely to feminism, so that may be skewing the numbers. The Atlantic, The London Review of Books, and Harper’s are not making the cut. While institutionalized misogyny in any profession presents a problem, gender quotas are probably not the answer.
What if the Tour de France nearly ground to a halt due to fiction? Imagine the best bikers in the world reading themselves into injury. At The Morning News, our own Matt Seidel imagines the chaos, making clear what happens when professional athletes meet page-turners. You could also read Matt’s essay on Tim Krabbé’s book The Rider.
Sonia Faleiro takes a look at the “book boys of Mumbai” who participate in India’s quasi-illegal pirated book market. (It’s an issue also discussed in Akshay Pathak’s most recent dispatch on Indian publishing.) Faleiro notes that books often appear on the streets as soon as they’re released to stores – and also that by 1999, as much as “20 to 25 percent of all books sold in the country were pirated.” Meanwhile, the former production editor in me wonders, how the heck are they re-printing these books so quickly?
Year in Reading alum Maud Newton has a new short story up on Medium. Titled “Nobody’s Stranger,” the “Miami noir love story” somewhat wonderfully features a bar, “the most incongruous bar in Little Haiti,” in which the patrons are mostly “aging emo kids and British soccer fans and overweight burlesque enthusiasts.”