“The stories that dominated the serious magazines and journals seemed to share a flat fireless quality… Characters dropped half out of love, or endured a minor crisis, or just wandered around treasuring their sense of dismay about, you know, the fallenness of the world.” In case you missed it: Slate’s review of Stuart Dybek‘s new collection of stories, Paper Lantern, also delivers an acerbic take on the modernist past and current “revitalization” of the American short story.
The Times has announced its long-awaited (and -feared) digital subscription plan: “Under the plan, which begins on March 28, visitors to NYTimes.com will be able to read 20 articles a month free. The most frequent users will pay $15 a month; print subscribers will have unlimited access.” A letter to readers about the plan from Publisher Arthur Ochs Sulzberger Jr.
You may not expect much from a write-up about The Smiths’ new collected box set, Complete, but that’s about to change. In a phenomenal piece on the relationship between racial (in particular Asian) otherness and the UK band’s music, Sukhdev Sandhu explains how Morrissey’s “lyrics and persona mapped out a structure of feeling that spoke to my own floundering selfhood.”
Recommended Reading: Anne Barngrover’s poem “My Lover Vows to Follow Me Even after He Leaves Me” at Paper Darts. “If trust is to hem your promises/into my jacket lining like folded dollars during/an ice storm, then I have been trusting all my life.”
Having kids changes everything, of course, but for the writer, used to working in quiet solitude, it can feel like the end. Jessica Francis Kane writes about how she learned to write again, in a new way, after having children and offers some tips for new parents who write.