“The stories that dominated the serious magazines and journals seemed to share a flat fireless quality… Characters dropped half out of love, or endured a minor crisis, or just wandered around treasuring their sense of dismay about, you know, the fallenness of the world.” In case you missed it: Slate’s review of Stuart Dybek‘s new collection of stories, Paper Lantern, also delivers an acerbic take on the modernist past and current “revitalization” of the American short story.
“He was surely the greatest literary editor there has ever been – brilliant, autocratic, endlessly curious and possessed of an extraordinary fund of knowledge about a vast range of subjects. True, he was not always easy to deal with, but when has the best ever been easy?” John Banville on the late Robert Silvers.
The Millions Editor Max is interviewed at the National Book Critics Circle today. Among the topics discussed, “the motivation for launching The Millions seven years ago” and what we look for in book reviews.
Hobart (who just joined Twitter) is running a new contest dubbed The Buffalo Prize. Enter for a shot at $500, or if you’re feeling saucy, for the bonus $100 prize awarded to the “best cover letter ridiculing or praising contests.” They’re also calling for interns to join their team, too.
“‘So your idea is to drive across America and write about it without talking to a single American?’ ‘Yes.'” Karl Ove Knausgaard travels North America as “a tongue-in-cheek Tocqueville” for the New York Times Magazine. Pair with his piece for The Millions, “The View from My Window is a Constant Reminder,” and with Jonathan Callahan‘s reading of Knausgaard’s My Struggle.
Nineteen intrepid RapGenius users set out to break down the “cultural clusterf*ck and middle finger to the stripped-down simplicity of the Imagists” otherwise known as T. S. Eliot’s poem “The Wasteland.”
Heading to London in the near future? Stop by the British Library’s new Terror and Wonder, which bills itself as the UK’s biggest Gothic exhibition in history. To whet your appetite, you can read this Guardian piece by Neil Gaiman, in which the Sandman author names Mary Shelley’s Frankenstein the apex of Gothic fiction. Related: our own Hannah Gersen on Frankenstein and the “Year Without a Summer.”