Nonfiction writing might work wonders for history books, but the heart of the genre is still the essay. In a piece for The Morning News Martin Connelly discusses his youthful resolution to be an essayist, which he quickly forgot and then gradually remembered. There are also ironic license plates, convicts and a baby, just to jazz everything up a little bit.
“I was going to be an essayist, and it was going to be awesome.”
Backhanded
Writers have long been attracted to duels, if only because, for the most part, they offer an easy way to ramp up the conflict in a story. At Page-Turner, James Guida takes a look at their enduring relevance, with reference to the history of the duel in Europe. Pair with: our own Nick Moran on duels in Russian literature.
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Know Thy Grammar
“Don’t assume that the literal meaning of a sentence is the least important one. It’s the only important one.” Sage advice.
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Butterball HR
McSweeney’s takes us behind the scenes of the Butterball hotline during the holiday craziness. You could also check out Alexander Cockburn’s short piece on Thanksgiving.
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Unavoidable Anachronism
What can we learn from anachronisms? That mistakes are “ultimately unavoidable – the best you can hope for is to keep them to a minimum and noticeable only by a tiny coterie of demanding experts” – and that if those mistakes are big enough, they can eventually turn into “enduring ideological constructs.”
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Press Start
Readers of the 1960s and 70s ran into many people who worried that writers were learning from television. In 2015, the concern is slightly different — are writers taking cues from video games? At the Ploughshares blog, Matthew Burnside tackles the game-ification of books.
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Strange Cults, Powerful Elders, and Other Features of Academia
Does this harrowing plot summary describe a critically acclaimed film of the 2010s, or does it describe your PhD program?
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