History of the Cube Farm
“Art of Agenting”
In an interview for Guernica Jonathan Lee talks to Chris Parris-Lamb, the literary agent who represented Chad Harbach‘s The Art of Fielding, John Darnielle‘s National Book Award-nominated Wolf in White Van, and now our very own Garth Risk Hallberg‘s upcoming City on Fire, about “The Art of Agenting.” Pair with our own Edan Lepucki‘s conversation with her agent, “Don’t Ever Do It for the Money,” and with the opening lines of City on Fire, a Millions exclusive.
The Tortoise and the Tae-Bo Routine
“As they were actual animals, rather than anthropomorphized personality traits intended to teach moral lessons, the Dog’s words were just a bunch of barking. The Goat bolted across the road, ending up on the ridge behind the Baker place. The Goat’s owner then called Animal Control, even though the Dog’s owner knew about the pot plants in the former’s greenhouse, which he had always been cool about, though that may change real soon.” Aesop’s lesser fables.
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Debt and David Graeber
Anthropologist and Melville House author David Graeber‘s Debt: The First 5,000 Years should be required reading for anyone hoping to understand economic trends. The author’s book is so great and topical that it’s earned a profile in Bloomberg BusinessWeek.
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Diary of International Pynchon Week
At n+1, Nick Holdstock’s diary of International Pynchon Week, held in Lublin, Poland: “The conference room looked like the United Nations as depicted in ’60s spy movies … on the pad of the man to my left there were no notes, just a drawing of a cat wearing a shirt and tie.”
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The Humanity of Hobbits
Are hobbits human? Matthew Yglesias asks this question at Slate and mines J.R.R. Tolkien’s The Lord of the Rings to find out. The answer is yes; they are just shorter.
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Ray Harryhausen Dies at 92
Visual effects virtuoso Ray Harryhausen died this week at the age of 92. Harryhausen was first inspired to take up movie-making when he watched King Kong with his childhood friend Ray Bradbury, and his pioneering career spanned over forty years. Over at Vulture, you can check out a couple of his most well-known scenes. To my mind, though, his best work will always remain Galgo’s creepy, stretch-tastic wizard hand from The 7th Voyage of Sinbad.
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Niki Sava’s review has the longest sentences this side of Thomas Bernhard! I was reading it aloud to my wife and gave up because I ran out of oxygen.