“As with all other architecture and design, the way we make our offices offers an accurate reflection of our values, and not a formula for improving them.” A review of Nikil Saval’s Cubed in the New York Review of Books.
Out this week: The Dark Dark by Samantha Hunt; The Epiphany Machine by David Burr Gerrard; Like A Fading Shadow by Antonio Muñoz Molina; Beautiful Animals by Lawrence Osborne; The Dog’s Last Walk by Howard Jacobson; and Less by Andrew Sean Greer. For more on these and other new titles, go read our just-published book preview.
Ta-Nehisi Coates wants to make America less stupid about the Civil War. He recommends five books we should all read to gain a better understanding of American history during this war and assures us that “I’ve tried to think very hard about readability, and to offer books you might actually complete.” So no excuses, start here
“To say that late Victorian poetry is bleak would be akin to remarking that Wilkie Collins had a decent knack for plotting a novel. These poems are freighted with Gothic overtones, and it is not uncommon for some supernatural phenomenon to intrude upon what had started out as a seemingly harmless quatrain. We often encounter Death himself—or the Devil—who is something of a literary celebrity for the decadent poets. But what marks the best of these poems is that the outré is in service to something that we can think of as more desperate, and, wouldn’t you know, human.” Over at The Boston Review, an online-only essay looking at the peculiarities of Victorian decadent poetry.