It’s impossible to deny that memoir writing is having a bit of a moment, as more and more major books delve deeply into authors’ lives for material (here’s looking at you, Knausgaard). But what happens when memoir meets straight history? According to The Canadian Press, both genres only become more interesting. “[People] think non-fiction is just boring, fuddy-duddy history books, [but] if you look at Canadian literature right now, non-fiction is incredibly exciting.”
“If you can get some brilliant artists to make a musical about your childhood, I highly recommend it. It’s very cathartic.” Recent MacArthur fellow Alison Bechdel‘s hugely successful graphic memoir, Fun Home, has been adapted into a Broadway musical, and now she’s written a coda to the book that looks at what the musical has meant to her and what it could have meant to her parents. Pair with our interview with Bechdel here.
What is creepypasta, and what does it have to do with the future of literature? According to this blog post on the Twitter Fiction Festival, it’s a type of short horror fiction which, because it’s posted exclusively on the Web, occupies a similar place to Twitter fiction in the ranks of new literary genres. If you want to learn more about Twitter fiction, you could read our own Elizabeth Minkel on the nascent art form.