It’s impossible to deny that memoir writing is having a bit of a moment, as more and more major books delve deeply into authors’ lives for material (here’s looking at you, Knausgaard). But what happens when memoir meets straight history? According to The Canadian Press, both genres only become more interesting. “[People] think non-fiction is just boring, fuddy-duddy history books, [but] if you look at Canadian literature right now, non-fiction is incredibly exciting.”
History as Memoir, Memoir as History
Nobody Said Anything
“Anyway, once his last season was over and NBA hadn’t called, Buck set his sights on coaching. Teaching was the best venue to get there. His wife, a pretty round faced blonde this time, was also a teacher; she taught fourth grade with my wife, Sherri. Working together had formed a friendship and it was this friendship that brought me — a manager at the Kraft Cheese plant — into this conversation with three public school teachers.” What we talk about when we talk about the Common Core.
Combing The New Yorker’s Archives
If you’ve finished winding your way through Elise Liu’s recommended New Yorker articles – which, as of this week, are free to be read online – you can start working your way through Longform’s roundup of their 25 favorite unlocked pieces. (Or you can go even bigger, thanks to The Awl.)
“One story shook the Soviet Union.”
Writing for the BBC, Steve Rosenberg looks at the lasting impact and significance of Alexander Solzhenitsyn’s One Day in the Life of Ivan Denisovich, which was published fifty years ago this month.
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Veering Bogward
At The Rumpus, Shawn Andrew Mitchell reviews Dark Lies the Island, the new short story collection by the Irish writer Kevin Barry. Mitchell quotes a number of the book’s more interesting idioms and perceives “an impolitic decadence to how Barry couples his words.” (Related: we interviewed Barry a few weeks ago.)
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Revenge Book Trailer
Behold the creepy beauty of the book trailer for Revenge, Yoko Ogawa’s latest collection of stories. It’s a collection haunted not only by the shadow of Haruki Murakami, writes NPR’s Alan Cheuse, but also “the shadow of Borges.”
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“The Ukraine is Weak!”
Ever wonder why some countries get a fancy “the” in front of their names?
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The Millions Socializes
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