It’s impossible to deny that memoir writing is having a bit of a moment, as more and more major books delve deeply into authors’ lives for material (here’s looking at you, Knausgaard). But what happens when memoir meets straight history? According to The Canadian Press, both genres only become more interesting. “[People] think non-fiction is just boring, fuddy-duddy history books, [but] if you look at Canadian literature right now, non-fiction is incredibly exciting.”
“I am so grateful for this tool in my writer’s toolkit. It has liberated both me and my texts from an overbearing approach to ‘getting it right.’” Cara Benson for the Amazon Author Insights blog (full disclosure: Amazon helps us pay the bills over here!) on the benefits of writing and revising by hand. And she’s not the only one who likes to go manual.
In an excerpt of Out of Time, a new book on “the pleasures and perils of ageing,” author Lynne Segal makes a case that many iconic male writers — among them Philip Roth, John Updike and Martin Amis — display in their works a belief that the slow loss of virility is one of the most tragic effects of growing older for men. Citing passages from Toward the End of Time and Portnoy’s Complaint, she finds evidence that these writers’ depictions of masculinity reveal “obdurate social hierarchies of gender and ageing.” (Related: Keith Meatto on advice you can glean from Philip Roth’s work.)