In honor of Bloomsday, some recommended reading, listening, and playing: one-day diaries of four modern Blooms in New York, Radio Bloomsday’s seven hours of readings (by Alec Baldwin, John Lithgow, Jerry Stiller, Garrison Keillor, and others), even found poetry and an iPhone game drawn from the text of Ulysses. Oh, and–of course–James Joyce’s book itself.
Can confessional writing be literary? Kelly Sundberg writes, “When I sit down to write literary writing about my trauma, I am a writer first, and a trauma survivor second, but I am not ever not a trauma survivor, and as such, I am often interested in examining the roots and effects of my own trauma.”
We’ve published essays before on the importance of good grammar, but it’s rare that something comes along that illustrates its value so clearly. A couple weeks ago, the Times published a blurb about This is the Story of a Happy Marriage, a recent essay collection by Ann Patchett, that led to the author sending in what may be the best correction of all time. For more on Patchett’s work, you could read Kevin Charles Redmon on her book State of Wonder.
You’ve read Elif Batuman’s dissertation on the double-entry book-keeping of novelists (pdf), but now your “debit” balance is low. (Whose isn’t these days?) Enter Sheila Heti and Misha Glouberman. They can document your very essence. The Paris Review has an excerpt from The Chairs Are Where the People Go.