“Every writer needs an editor, and anyone who says he doesn’t has a fool for a muse.” The New York Times interviews journalists on the importance of editors, and it’s well worth the short read. Pair with our own Edan Lepucki‘s conversation with her editor.
"American television has been a juvenile medium for most of its existence," David Simon tells Salon. This defense of 'Treme' was published three days after David Thier called the show "deeply boring" in The Atlantic. "There is nothing New Orleans loves so much as New Orleans" Thier says, "but the show can't get past the desire to be authentic." Sarah Broom, during last May's PEN World Voices Festival, said "this 'love of place' is really just from people who are stuck in a lots of ways." But hey, at least the show's attention to detail is admirable.
In his review of Ben Marcus's The Flame Alphabet for the LARB, Lee Konstantinou suggests that we have now moved well beyond the death of the author: "In an era where everyone has a novel waiting to come out, authors are legion; it’s the reader who seems, well, dead." When we interviewed Marcus earlier this year he did not seem particularly mournful. We also reviewed the novel.
What if H.P. Lovecraft's work were set in Hollywood instead of New England? At The Toast, Kevin Sharp writes Lovecraftian gossip columns. "Two very famous couples, both well known for their complicated personal lives and grand professional successes (less known, perhaps, for the horrid dark secrets that throb and scream in their antediluvian Hollywood mansions), met for a fateful dinner."