By now we’re used to the age-old, tiresome books vs. ebooks debate: which one is cheaper, better-smelling, better for notes, better for authors, better for the Earth. But which one is better for the brain?
Brittany Oliver listed the “6 Most Influential Women Writers You’ve Never Heard Of” for PolicyMic, and she’s right. I’ve only heard of two of them.
Cheers to Joshua Cohen for this early look at Péter Nádas’ mind-bending magnum opus, Parallel Stories. Our own review will appear sometime in 2014, when we finish reading. (But we can already say that all 1,100-page novels should begin, as this one does, with a dead body.)
“As I got older, the Nigerian scam artist turned into a meme. The ‘Nigerian prince’ became a joke tossed around by white people with the same ease that ‘Italian mobster’ jokes were likely tossed around in the ‘70s—but aided now by the internet. Whenever I came across casual references to my people as scam artists, I’d wince. There was more to us than the scam. Hell—there was even more to the scam.” On how novelist Teju Cole helped Ijeoma Oluo make peace with the Nigerian scam artist.
Over at the New Republic Year in Reading alum William Giraldi writes his “Confessions of a Catholic Novelist,” and they include ruminations on Graham Greene, Flannery O’Connor, and Walker Percy, as well as on the inevitable impact being raised in the Church has on his own work and the writing of many, many others. Giraldi’s essay pairs very well with the work of our own Nick Ripatrazone, who has reviewed Giraldi’s Hold the Dark, written about teaching Flannery O’Connor to high school students, and just this week discussed the current state of independent Catholic literature.
M. Evelina Galang, author of Her Wild American Self and current director of the University of Miami’s MFA Creative Writing Program, is featured in the latest issue of Kartika Review, “a national Asian/Pacific Islander American literary arts journal.” You can read the entire Fall 2011 issue for free.